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would light my pipe, and wander out into the lighted streets. Criticisms for the _Athenaeum_, then edited by Hepworth Dixon, brought me ten-and-sixpence a column. I used to go to the old office in Wellington Street and have my contributions measured off on the current number with a foot-rule, by good old John Francis, the publisher. I wrote, too, for the _Literary Gazette_, where the pay was less princely--seven-and-sixpence a column, I think, but with all extracts deducted! The _Gazette_ was then edited by John Morley, who came to the office daily with a big dog. 'I well remember the time when you, a boy, came to me, a boy, in Catherine Street,' wrote honest John to me years afterwards. But the neighbourhood of Covent Garden had greater wonders! Two or three times a week, walking, black bag in hand, from Charing Cross Station to the office of _All the Year Round_ in Wellington Street, came the good, the only Dickens! From that good genie the poor straggler from Fairyland got solid help and sympathy. Few can realise now what Dickens was then to London. His humour filled its literature like broad sunlight; the Gospel of Plum-pudding warmed every poor devil in Bohemia. [Illustration: MR. BUCHANAN'S HOUSE] At this time, I was (save the mark!) terribly in earnest, with a dogged determination to bow down to no graven literary idol, but to judge men of all ranks on their personal merits. I never had much reverence for gods of any sort; if the superior persons could not win me by love, I remained heretical. So it was a long time before I came close to any living souls, and all that time I was working away at my poems. Then, a little later, I used to go o' Sundays to the open house of Westland Marston, which was then a great haunt of literary Bohemians. Here I first met Dinah Muloch, the author of 'John Halifax,' who took a great fancy to me, used to carry me off to her little nest on Hampstead Heath, and lend me all her books. At Hampstead, too, I foregathered with Sydney Dobell, a strangely beautiful soul, with (what seemed to me then) very effeminate manners. Dobell's mouth was ever full of very pretty Latinity, for the most part Virgilian. He was fond of quoting, as an example of perfect expression, sound conveying absolute sense of the thing described, the doggrel lines-- Down the stairs the young missises ran To have a look at Miss Kate's young man! The sibilants in the first line, he thought, admirably
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