erwarde his faire Maide Marian. Acted by the
Right Honourable the Earle of Notingham, Lord high Admirall of England,
his servants. Imprinted at London for William Leake_. 1601. 4to. B.L.
INTRODUCTION.
"The Downfall of Robert Earl of Huntington" and "The Death of Robert
Earl of Huntington"[147] were both formerly ascribed to Thomas Heywood,
on the always disputable authority of Kirkman the Bookseller. The
discovery of the folio account-book of Philip Henslowe, proprietor of
the Rose theatre on the Bank-side, enabled Malone to correct the
error.[148] The following entries in Henslowe's MSS. contain the
evidence upon the subject:--
"Feb. 1597-8.--The first part of Robin Hood by Anthony Mundy.
"The second part of the Downfall of Earl Huntington, sirnamed
Robinhood by Anthony Mundy and Henry Chettle."
It is to be observed that what Henslowe mentions as "the second part of
the Downfall of Earl Huntington" is in fact the play called on the
printed title-page "The Death of Robert Earl of Huntington." Hence we
find that Anthony Munday wrote the _first part_ or "Downfall" alone, and
the _second part_ or "Death" in conjunction with Henry Chettle:
nevertheless there is a memorandum by Henslowe, by which it seems that
Chettle had something to do also with the _first part_. It is in these
terms:--
"Lent unto Robarte Shawe the 18 of Novemb. 1598, to lend unto
Mr Cheattle upon the mending of The First Part of Robart Hoode,
the sum of xs."
The loan here mentioned was perhaps in anticipation of "the mending;"
and Malone subsequently met with the following notice: "For mending
of Robin Hood for the Corte;" which might be written after the
improvements, considered necessary before the performance of the play
at Court, had been completed.
Anthony Munday must have been born in 1553, for the monument to him in
the Church of St Stephen, Coleman Street, states, that at the time of
his death, 10th August 1633, he was eighty years old. From the
inscription we likewise learn that he was "a citizen and draper." In
1589 he lived in the city, and dates his translation of "The History of
Palmendos" "from my house in Cripplegate." That he carried on the
business of a draper, or had some connection with the trade as late as
1613, may be gathered from the following passage at the close of "The
Triumphs of Truth," the city pageant for that year, by Thomas Middleton:
"The fire-work being made by Maister Humphrey Nichol
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