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Father, at the foot two little boys who are holding the vestments of Christ, in the angles the Annunciation, and below these figures the semblance of a canvas superimposed, with a good number of little nude figures of Angels, Demons, and Souls in Purgatory, and with an inscription that runs--"In nomine Jesu omne genuflectatur." That work, which was certainly held to be very good, won him much credit and fame; indeed, it was the reason that the Frati de' Zoccoli, who have their seat in that place, and who have charge of the Church of S. Giobbe in Canareio, caused him to paint in the Chapel of the Foscari, in that Church of S. Giobbe, a Madonna who is seated with the Child in her arms, with a S. Mark on one side and a female Saint on the other, and in the air some Angels who are scattering flowers. In S. Bartolommeo, at the tomb of Cristofano Fuccheri, a German merchant, he executed a picture of Abundance, Mercury, and Fame. For M. Antonio della Vecchia, a Venetian, he painted in a picture with figures of the size of life and very beautiful Christ crowned with Thorns, and about them some Pharisees, who are mocking Him. Meanwhile there had been built of masonry in the Palace of S. Marco, after the design of Jacopo Sansovino, as will be related in the proper place, the staircase that leads from the first floor upwards, and it had been adorned with various designs in stucco by the sculptor Alessandro, a disciple of Sansovino; and Battista painted very minute grotesques over it all, and in certain larger spaces a good number of figures in fresco, which have been extolled not a little by the craftsmen, and he then decorated the ceiling of the vestibule of that staircase. Not long afterwards, when, as has been related above, three pictures were given to each of the best and most renowned painters of Venice to paint for the Library of S. Marco, on the condition that he who should acquit himself best in the judgment of those Magnificent Senators was to receive, in addition to the usual payment, a chain of gold, Battista executed in that place three scenes, with two Philosophers between the windows, and acquitted himself very well, although he did not win the prize of honour, as we said above. After these works, having received from the Patriarch Grimani the commission for a chapel in S. Francesco della Vigna, which is the first on the left hand entering into the church, Battista set his hand to it and began to make very rich
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