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al when I know you to be so sentimental?" Her voice was arch, an intimate voice with liquid inflections. He began pacing the chilly floor of the studio. "Let us be frank. I've only known you two months, since the day we accidentally met, leaving Paris for Bayreuth. You have written your mother nothing of our engagement--well, provisional engagement, if you will--and you insist on sticking to the operatic stage. I loathe it, and I confess to you that I am sick with jealousy when I see you near that lanky, ill-favored German tenor Burgmann." "What, poor, big me!" she interjected, in teasing accents. "Yes, you, Fridolina. I can quite sympathize with what you tell me of your mother's dislike for the role of Isolde. You are not temperamentally suited to it; it is horrible to think of you in that second act." "How horrible? My figure, you mean?" "Yes, your figure, too, would be absurd." He was brutal now. "And you haven't the passion to make anything of the music. You've never loved, never will, passionately--" "But I'll sing Isolde all the same," she cried. "Not with my permission." "Then without you and your permission." She hastily arose and was about to step down from her pedestal when the door opened. "Mother! Why, mamma, you said you weren't coming until Sunday." Mrs. Fridolin could not see very well in the heavy shadows after the blinding sunlight without. "What are you doing here, Margaret, and of all things alone up there on a throne! Is this a rehearsal for the opera?" "I'm not alone, mother. This is Wenceslaus--Mr. Wenceslaus Arthmann, the sculptor, mamma, and he is doing me in clay. Look at it; isn't it sweet? Mr. Arthmann, this is my mother--and who is the young lady, mamma?" "Oh, I forgot. I was so confused and put out not finding you at the station I drove at once to Villa Wahnfried--" "Villa Wahnfried!" echoed two voices in dismayed unison. "Yes, to Frau Cosima, and she directed me here." "She directed you here?" "Yes, why shouldn't she? Is there anything wrong in that?" asked the stately, high-nosed lady with the gray pompadour, beginning to peer about suspiciously. "Oh, no, mamma, but how did Frau Cosima know that I was here?" "I don't know, child," was the testy answer. "Come, get down and let me introduce you to my charming travelling friend, Miss Bredd." "Miss Sais Bredd," put in the Western girl; "I was named Sais after my father visited Egypt, but my friends call me Louie."--"And Miss Bredd, this is
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