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le to come and see him. We've our snowshoes, and mine and the girls', besides Macartney's, that I guess he's done with. I think we could manage along as far as the Halfway in the morning, if we made a travois of boughs for Wilbraham!" "But," I stared at him, "Macartney's picket's there!" "Oh, Charliet and Dunn were going to clear them out with Miss Wilbraham's rifle, while I got after her, when she broke away on to Macartney's track here," Collins returned calmly. "I expect that's all right, and they've run. Anyhow, you've got Macartney's gun! You can go ahead and see." But I had no need to. An abandoned picket has a way of knowing when the game is up, and Macartney's men had cleared out on the double, even before Charliet's first rifle bullet missed them. We caught them afterwards, half dead in the bush,--but that doesn't come in here. I walked into the Halfway with my dream girl beside me, and both of us jumped as Dudley suddenly poked his pig-eyed face between us. "You needn't hop, you two," he commented irritably; "you can have your Old Nick, Paulette, for all me! What I'm thinking of's that boy--and Baker! I guess they saved my life all right between them, and I'm going to set them up for what's left of theirs. Got anything to say against that, hey?" with his old snarl. "Not much," I returned soberly. But Paulette clasped both Dudley's podgy hands in hers. "Oh, _dear_ Dudley," she said softly. But there were tears in her eyes. I know; for I kissed them away afterwards, when we were alone. THE END End of Project Gutenberg's The La Chance Mine Mystery, by Susan Carleton Jones *** END OF THIS PROJECT GUTENBERG EBOOK THE LA CHANCE MINE MYSTERY *** ***** This file should be named 27209.txt or 27209.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/7/2/0/27209/ Produced by D Alexander, Josephine Paolucci and the Online Distributed Proofreading Team at http://www.pgdp.net. (This file was produced from images generously made available by The Internet Archive/American Libraries.) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rul
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