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early be of no use now. Now was the moment to cheer and encourage him; to reassure him as to his own undiminished powers and popularity, for he talked dejectedly of himself as obsolete and passing out of fashion; to convince him also of the impossibility that the ungrateful publisher whom Savarin's more brilliant successes had enriched could encounter the odium of hostile proceedings; and to remind him of all the authors, all the artists, whom he in their earlier difficulties had so liberally assisted, and from whom a sum sufficing to pay the bourgeois creditor when the day arrived could now be honourably asked and would be readily contributed. In this last suggestion the homely prudent good-sense of Madame Savarin failed her. She did not comprehend that delicate pride of honour which, with all his Parisian frivolities and cynicism, dignified the Parisian man of genius. Savarin could not, to save his neck from a rope, have sent round the begging-hat to friends whom he had obliged. Madame Savarin was one of those women with large-lobed ears, who can be wonderfully affectionate, wonderfully sensible, admirable wives and mothers, and yet are deficient in artistic sympathies with artistic natures. Still, a really good honest wife is such an incalculable blessing to her lord, that, at the end of the talk in the solitary alley, this man of exquisite finesse, of the undefinably high-bred temperament, and, alas! the painful morbid susceptibility, which belongs to the genuine artistic character, emerged into the open sunlit lawn with his crest uplifted, his lip curved upward in its joyous mockery, and perfectly persuaded that somehow or other he should put down the offensive publisher, and pay off the unoffending creditor when the day for payment came. Still he had judgment enough to know that to do this he must get back to Paris, and could not dawdle away precious hours in discussing the principles of poetry with Graham Vane. There was only one thing, apart from "the begging-hat," in which Savarin dissented from his wife.--She suggested his starting a new journal in conjunction with Gustave Rameau, upon whose genius and the expectations to be formed from it (here she was tacitly thinking of Isaura wedded to Rameau, and more than a Malibran on the stage) she insisted vehemently. Savarin did not thus estimate Gustave Rameau, thought him a clever, promising young writer in a very bad school of writing, who might do well some day o
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