ne & Co.'s hands. They could swear they bought it
in London. Plausible stories of masterpieces discovered in out of the
way corners were easily enough manufactured. So these thoughts all being
to his utmost satisfaction, he went whistling down the street.
The Duke Scorpa at the same time was being driven cheerfully homeward.
That had been a stroke, that idea of pretending he was merely the
intermediary. He had got the picture for a loan of one hundred thousand,
and had one hundred and fifty thousand clear profit. There was nothing
to show his transaction with Sansevero. No money had passed between
them, not even a scrap of paper. He had torn up the prince's I. O. U.,
and that was all the evidence there had been. Christopher Shayne,
besides, was a shrewd man and reliable, and one who never had been
caught in a questionable transaction. To be sure, Scorpa had given
Sansevero his word (but again there was no proof), that he would let
him retrieve the picture at an advanced price that should be merely the
accrued compound interest on the money lent. In case of his being able
to reclaim it, Scorpa would pretend that the picture was burnt or
stolen--time enough to cross bridges when he came to them. But that
chance was beyond all probability. There was no way for Sansevero ever
to secure enough money to get back the picture--unless, indeed, his
younger brother Giovanni should marry the great American heiress who was
on her way to Italy for the winter.
"I hardly think that likely," said the Duke Scorpa to himself, as he
stroked his heavy chin with his fat hand, "for I intend to annex that
little fortune myself."
CHAPTER V
DON GIOVANNI ARRIVES
It was a few days after Nina's arrival in Italy; one of the glorious
mornings when the famous Sansevero gardens were full of golden light,
bringing into high relief the creamy marble of statues that in other
centuries had been white. Against the deep waxy green of shrubs and
hedges, the fountains seemed to be tossing liquid diamonds; and beyond
the marble balustrades of the descending terraces, the hills rolled away
in soft gray billows of young olive leaves and powdered slopes of
blossoming orange branches. In contrast with this background of green
and marble and roses and flowers and fountains stood Nina reaching up to
pick a pink camellia. In front of her, the princess was looking vaguely
into the finder of a camera.
"Now what shall I do? Just press the bulb and le
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