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ay from his clasp, and she almost sobbed, "I can't, I can't. Oh, I would if I could--but I can't!" Then she heard him say gently: "Give me an answer later--I am not such, just now, that I can hold my own--I will wait till I am strong again. Will you give me your answer then?" Half choking, she nodded her head in assent and hurried from the room. St. Anthony, the great Dane, who, since Giovanni's illness, had attached himself to Nina, stalked after her. She went through the intervening rooms into the picture gallery, and there dropped down upon a low marble seat and took the big dog's head in her arms. She believed in Giovanni's disinterestedness; he had given her every reason to think he truly loved her. It seemed to her that she had seen his real feeling grow gradually. If she could believe in any one _ever_, she must believe in him. Even the astute little Zoya Olisco had confirmed the impression by saying that all Rome knew that Giovanni cared nothing for money. There had been a very rich girl--all the fortune hunters were after her--and she was so strongly attracted to Giovanni that she made no effort to disguise her preference for him. But he showed no inclination to marry a rich wife. These and many other things were enough to convince Nina that his love was real, without the final proof when he had risked his life for her. In mere gratitude she would have made the effort to care for him. And yet the more she tried to encourage her sentiments, the more they baffled her. From the first she had felt timid of something unknown in Giovanni. She had thought herself in danger of being attracted too much, but now she felt that, throughout, the fear had been of another sort, a fear which she could not analyze. "What is the matter with me?" she whispered brokenly to St. Anthony. "We love Giovanni, don't we? We do! We do!" But her words were meaningless sounds that echoed hollowly. Then slowly she noted the great gallery filled with things flawless--the mellow canvases of the old masters, the marvelous statuary, perfect even in the brilliant light streaming through the eastern windows; and her thoughts turned backwards to that day when the allure of antiquity had most strongly held her--that day when she had first seen Giovanni dance. As the recollection grew in vividness, she was again aware of the same strange sensation that she had felt then. It was as though she were living in a past age, with which she, as N
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