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nature, the most complete in all its lineaments." Dandie is always delightful,--whether at Mumps's Hall, or on the lonely moor, or at home in Charlieshope, or hunting, or leistering fish, or entering terriers at vermin, or fighting, or going to law, or listening to the reading of a disappointing will, or entertaining the orphan whom others neglect; always delightful he is, always generous, always true, always the Border farmer. There is no better stock of men, none less devastated by "the modern spirit." His wife is worthy of him, and has that singular gentleness, kindliness, and dignity which prevail on the Border, even in households far less prosperous than that of Dandie Dinmont.--[Dr. John Brown's Ailie, in "Rab and his Friends," will naturally occur to the mind of every reader.] Among Scott's "character parts," or types broadly humorous, few have been more popular than Dominie Sampson. His ungainly goodness, unwieldy strength, and inaccessible learning have made great sport, especially when "Guy Mannering" was "Terryfied" for the stage. As Miss Bertram remarks in that singular piece,--where even Jock Jabos "wins till his English," like Elspeth in the Antiquary,--the Dominie "rather forces a tear from the eye of sentiment than a laugh from the lungs of ribaldry." In the play, however, he sits down to read a folio on some bandboxes, which, very naturally, "give way under him." As he has just asked Mrs. Mac-Candlish after the health of both her husbands, who are both dead, the lungs of ribaldry are more exercised than the fine eye of sentiment. We scarcely care to see our Dominie treated thus. His creator had the very lowest opinion of the modern playwright's craft, and probably held that stage humour could not be too palpable and practical. Lockhart writes (v. 130): "What share the novelist himself had in this first specimen of what he used to call 'the art of Terryfying' I cannot exactly say; but his correspondence shows that the pretty song of the 'Lullaby' was not his only contribution to it; and I infer that he had taken the trouble to modify the plot and rearrange for stage purposes a considerable part of the original dialogue." Friends of the Dominie may be glad to know, perhaps on Scott's own testimony, that he was an alumnus of St. Andrews. "I was boarded for twenty pence a week at Luckie Sour-kail's, in the High Street of St. Andrews." He was also fortunate enough to hold a bursary in St. Leonard's Colleg
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