s us a true insight into the
spirit in which she accepted the distrust of friends and the coldness of
the world which her marriage brought her.

A supreme love, a motive that gives a sublime rhythm to a woman's life,
and exalts habit into partnership with the soul's highest needs, is not
to be had when and how she will: to know that high initiation, she must
often tread where it is hard to tread, and feel the chill air, and
watch through darkness. It is not true that love makes all things easy;
it makes us choose what is difficult.

Throughout her novels she exalts marriage, never casts any slur upon it,
treats it as one of the most sacred of all human relations. She makes it
appear as a sacrament, not of the Church, but of the sublime fellowship of
humanity. It is pure, holy, a binding tie, a sacred obligation, as it
appears in her books. When Romola is leaving Florence and her husband, her
love dead and all that made her life seem worthy gone with it, she meets
Savonarola, who bids her return to her home and its duties. What the great
prophet-priest says on this occasion we have every reason to believe
expressed the true sentiments of George Eliot herself. He proclaims, what
she doubtless thoroughly believed, that marriage is something far more than
mere affection, more than love; that its obligation holds when all love is
gone; that its obligation is so sacred and binding as to call for the
fullest measure of renunciation and personal humiliation. As throwing light
on George Eliot's manner of looking at this subject, the whole chapter
which describes the meeting of Romola and Savonarola deserves to be read.
That portion of it in which Savonarola gives his views of marriage may here
be reproduced, not as giving the doctrine of the Church, but as presenting
the positivist conception of marriage as interpreted by George Eliot.

His arresting voice had brought a new condition into her life, which
made it seem impossible toiler that she could go on her way as if she
had not heard it; yet she shrank as one who sees the path she must
take, but sees, too, that the hot lava lies there. And the instinctive
shrinking from a return to her husband brought doubts. She turned away
her eyes from Fra Girolamo, and stood for a minute or two with her
hands hanging clasped before her, like a statue. At last she spoke, as
if the words were being wrung from her, still looking on the