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dred years ago." Plausible, ingenious, quite in the spirit of Mr. James's mind; I can almost hear him reason so; nor does the argument displease me, for it is conceived in a scholarly spirit. Now my conception of W.D. Howells is quite different--I see him the happy father of a numerous family; the sun is shining, the girls and boys are playing on the lawn, they come trooping in to a high tea, and there is dancing in the evening. My fat landlady lent me a novel by George Meredith,--"Tragic Comedians"; I was glad to receive it, for my admiration of his poetry, with which I was slightly acquainted, was very genuine indeed. "Love in a Valley" is a beautiful poem, and the "Nuptials of Attila," I read it in the _New Quarterly Review_ years ago, is very present in my mind, and it is a pleasure to recall its chanting rhythm, and lordly and sombre refrain--"Make the bed for Attila." I expected, therefore, one of my old passionate delights from his novels. I was disappointed, painfully disappointed. But before I say more concerning Mr. Meredith, I will admit at once frankly and fearlessly, that I am not a competent critic, because emotionally I do not understand him, and all except an emotional understanding is worthless in art. I do not make this admission because I am intimidated by the weight and height of the critical authority with which I am overshadowed, but from a certain sense, of which I am as distinctly conscious, viz., that the author is, how shall I put it? the French would say "quelqu'un," that expresses what I would say in English. I remember, too, that although a man may be able to understand anything, that there must be some modes of thoughts and attitudes of mind which we are so naturally antagonistic to, so entirely out of sympathy with, that we are in no true sense critics of them. Such are the thoughts that come to me when I read Mr. George Meredith. I try to console myself with such reflections, and then I break forth, and crying passionately:--jerks, wire splintered wood. In Balzac, which I know by heart, in Shakespeare, which I have just begun to love, I find words deeply impregnated with the savour of life; but in George Meredith there is nothing but crackjaw sentences, empty and unpleasant in the mouth as sterile nuts. I could select hundreds of phrases which Mr. Meredith would probably call epigrams, and I would defy anyone to say they were wise, graceful or witty. I do not know any book more tedious th
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