FREE BOOKS

Author's List




PREV.   NEXT  
|<   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116  
117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   >>   >|  
ime," Clara said petulantly. "They start off earlier and earlier in the morning and they stay later and later at night. And did you know that they are planning soon to stay a week at the New Camp--they say the walk back is so fatiguing after a long day's work." The others nodded. "And then the instant they've had their dinner," Lulu continued, "off they go to that tiresome Clubhouse--for tennis and ball and bocci. It seems, somehow, as if I never had a chance to talk with Honey nowadays. I should think they'd get enough of each other, working side by side all day long, the way they do. But no! The moment they've eaten and had their smoke, they must get together again. Why is it, I wonder? I should think they would have said all they had to say in the daytime." "Pete is worse than any of them," Clara went on. "After he comes back from the Clubhouse, he wants to sit up and write for an hour or two. Oh, I get fairly desperate sometimes, sitting there listening to the eternal scratching of his pen. I cannot understand his point of view, to save my life. If I talk, it irritates him. My very breathing annoys him; he cannot have me in the same room with him. But if I leave the cabin, he can't write a word. He wants me near, always. He says it's the knowing I'm there that makes him feel like writing. And then Sundays, if he isn't writing, he's painting. I don't mind his not being there in the daytime in a way because, of course, there's always Peterkin. But at night, when I've put Peterkin to bed I do want something different to happen. As it is, I have to make a scene to get up any excitement. I do it, too, without compunction. When it gets to the point that I know I must scream or go crazy, I scream. And I do a good job in screaming, too." "What would you like him to do, Clara?" Julia asked. The petulant frown between Clara's eyebrows deepened. "I don't know," she said wearily. "I don't know what it is that I want to do; but I want to do something. Peterkin is asleep and perfectly safe--and I feel like going somewhere. Now, if I could fly, it would rest me so, to go for a long, long journey through the air." As she concluded, some new expression, some strange hardness of her maturity, melted; her face was for an instant the face of the old Clara. Julia made no comment. It was Chiquita who took it up. "My husband talks enough. In fact, he talks all the time. But if I tire of his voice, I let myself fall aslee
PREV.   NEXT  
|<   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116  
117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   >>   >|  



Top keywords:

Peterkin

 

daytime

 

scream

 

Clubhouse

 

instant

 

writing

 

earlier

 

painting

 
Sundays
 

excitement


happen
 

compunction

 

comment

 
Chiquita
 

melted

 
expression
 
strange
 

hardness

 

maturity

 

husband


concluded

 

deepened

 
wearily
 

eyebrows

 
petulant
 

asleep

 

perfectly

 

journey

 
screaming
 

desperate


chance

 

tennis

 

nowadays

 

moment

 

working

 

tiresome

 

continued

 

planning

 
morning
 
petulantly

nodded

 

dinner

 

fatiguing

 

irritates

 

breathing

 

understand

 

annoys

 

knowing

 

scratching

 

sitting