er own
perfections in the eyes of all. Daylight was admitted into this
semicircular apartment, through one of those double windows, contrived
for the preservation of heat, so happily imported from Germany. The walls
of the pavilion being constructed of stone of great thickness, the depth
of the aperture for the windows was therefore very great. That of
Adrienne's dressing-room was closed on the outside by a sash containing a
single large pane of plate glass, and within, by another large plate of
ground glass. In the interval or space of about three feet left between
these two transparent enclosures, there was a case or box filled with
furze mould, whence sprung forth climbing plants, which, directed round
the ground glass, formed a rich garland of leaves and flowers. A garnet
damask tapestry, rich with harmoniously blended arabesques, in the purest
style, covered the walls and a thick carpet of similar color was extended
over the floor: and this sombre ground, presented by the floor and walls,
marvellously enhanced the effects of all the harmonious ornaments and
decorations of the chamber.

Under the window, opposite to the south, was placed Adrienne's dressing
case, a real masterpiece of the skill of the goldsmith. Upon a large
tablet of lapis-lazuli, there were scattered boxes of jewels, their lids
precisely enamelled; several scent boxes of rock crystal, and other
implements and utensils of the toilet, some formed of shells, some of
mother-of-pearl, and others of ivory, covered with ornaments of gold in
extraordinary taste. Two large figures, modelled in silver with antique
purity; supported an oval swing mirror, which had for its rim, in place
of a frame curiously carved, a fresh garland of natural flowers, renewed
every day like a nosegay for a ball.

Two enormous Japanese vases, of purple and gold, three feet each in
diameter, were placed upon the carpet on each side of the toilet, and,
filled with camellias, ibiscures, and cape jasmine, in full flower formed
a sort of grove, diversified with the most brilliant colors. At the
farther end of the apartment, opposite the casement, was to be seen,
surrounded by another mass of flowers, a reduction in white marble of the
enchanting group of Daphnis and Chloe, the more chaste ideal of graceful
modesty and youthful beauty.

Two golden lamps burned perfumes upon the same pedestal which supported
those two charming figures. A coffer of frosted silver, set off with
small