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an in the fishing-boat raised himself to his full height and stared as incredulously as though he beheld a mermaid. He was an old man, but straight and tall, and the oysterman's boots stretching to his hips made him appear even taller than he was. He had a bristling white beard and his face was tanned to a fierce copper color, but his eyes were blue and young and gentle. They lit suddenly with excitement and sympathy. "Are you from the Patience?" he shouted. In chorus we answered that we were, and Ivy pulled the yawl alongside the fisherman's boat. But already the old man had turned and, making a megaphone of his hands, was shouting to the cottage. "Mother!" he cried, "mother, here are folks from the wreck. Get coffee and blankets and--and bacon--and eggs!" "May the Lord bless him!" exclaimed the Lady Moya devoutly. But Aldrich, excited and eager, pulled out a roll of bills and shook them at the man. "Do you want to earn ten dollars?" he demanded; "then chase yourself to the village and bring the constable." Lady Moya exclaimed bitterly, Lord Ivy swore, Kinney in despair uttered a dismal howl and dropped his head in his hands. "It's no use, Mr. Aldrich," I said. Seated in the stern, the others had hidden me from the fisherman. Now I stood up and he saw me. I laid one hand on his, and pointed to the tin badge on his suspender. "He is the village constable himself," I explained. I turned to the lovely lady. "Lady Moya," I said, "I want to introduce you to my father!" I pointed to the vine-covered cottage. "That's my home," I said. I pointed to the sleeping town. "That," I told her, "is the village of Fairport. Most of it belongs to father. You are all very welcome." End of Project Gutenberg's The Make-Believe Man, by Richard Harding Davis *** END OF THIS PROJECT GUTENBERG EBOOK THE MAKE-BELIEVE MAN *** ***** This file should be named 1823.txt or 1823.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/8/2/1823/ Produced by Don Lainson Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part
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