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r grew still. It was now midnight, and my task was drawing to a close. I had completed the eighth, the ninth, and the tenth tier. I had finished a portion of the last and the eleventh; there remained but a single stone to be fitted and plastered in. I struggled with its weight; I placed it partially in its destined position. But now there came from out the niche a low laugh that erected the hairs upon my head. It was succeeded by a sad voice, which I had difficulty in recognizing as that of the noble Fortunato. The voice said-- "Ha! ha! ha!--he! he! he!--a very good joke indeed--an excellent jest. We shall have many a rich laugh about it at the palazzo--he! he! he!--over our wine--he! he! he!" "The Amontillado!" I said. "He! he! he!--he! he! he!--yes, the Amontillado. But is it not getting late? Will not they be awaiting us at the palazzo, the Lady Fortunato and the rest? Let us be gone." "Yes," I said, "let us be gone." "_For the love of God, Montresor!_" "Yes," I said, "for the love of God!" But to these words I hearkened in vain for a reply. I grew impatient. I called aloud-- "Fortunato!" No answer. I called again-- "Fortunato--" No answer still. I thrust a torch through the remaining aperture and let it fall within. There came forth in reply only a jingling of the bells. My heart grew sick on account of the dampness of the catacombs. I hastened to make an end of my labour. I forced the last stone into its position; I plastered it up. Against the new masonry I re-erected the old rampart of bones. For the half of a century no mortal has disturbed them. _In pace requiescat!_ End of the Project Gutenberg EBook of First Gutenberg Collection of Edgar Allan Poe, by Edgar Allan Poe *** END OF THIS PROJECT GUTENBERG EBOOK GUTENBERG COLLECTION--E. A. POE *** ***** This file should be named 1062.txt or 1062.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/0/6/1062/ Produced by Levent Kurnaz and Jose Menendez Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Us
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