king at the tall man--and when at last there
was no more dusting to be done and no further excuse for him to linger
near her, he could bear it no longer, and said, in rather a pleading
tone, "Dinah, you're not displeased with me for anything, are you? I've
not said or done anything to make you think ill of me?"

The question surprised her, and relieved her by giving a new course to
her feeling. She looked up at him now, quite earnestly, almost with the
tears coming, and said, "Oh, no, Adam! how could you think so?"

"I couldn't bear you not to feel as much a friend to me as I do to you,"
said Adam. "And you don't know the value I set on the very thought of
you, Dinah. That was what I meant yesterday, when I said I'd be content
for you to go, if you thought right. I meant, the thought of you was
worth so much to me, I should feel I ought to be thankful, and not
grumble, if you see right to go away. You know I do mind parting with
you, Dinah?"

"Yes, dear friend," said Dinah, trembling, but trying to speak calmly,
"I know you have a brother's heart towards me, and we shall often be
with one another in spirit; but at this season I am in heaviness through
manifold temptations. You must not mark me. I feel called to leave my
kindred for a while; but it is a trial--the flesh is weak."

Adam saw that it pained her to be obliged to answer.

"I hurt you by talking about it, Dinah," he said. "I'll say no more.
Let's see if Seth's ready with breakfast now."

That is a simple scene, reader. But it is almost certain that you, too,
have been in love--perhaps, even, more than once, though you may not
choose to say so to all your feminine friends. If so, you will no more
think the slight words, the timid looks, the tremulous touches, by which
two human souls approach each other gradually, like two little quivering
rain-streams, before they mingle into one--you will no more think these
things trivial than you will think the first-detected signs of coming
spring trivial, though they be but a faint indescribable something
in the air and in the song of the birds, and the tiniest perceptible
budding on the hedge-row branches. Those slight words and looks and
touches are part of the soul's language; and the finest language,
I believe, is chiefly made up of unimposing words, such as "light,"
"sound," "stars," "music"--words really not worth looking at, or
hearing, in themselves, any more than "chips" or "sawdust." It is only
that they h