e's figure, were perhaps in some fit proportion with the moral
weight and substance, respectively, of the woman and the girl.

To the guest,--to Hepzibah's brother,--or Cousin Clifford, as Phoebe
now began to call him,--she was especially necessary. Not that he could
ever be said to converse with her, or often manifest, in any other very
definite mode, his sense of a charm in her society. But if she were a
long while absent he became pettish and nervously restless, pacing the
room to and fro with the uncertainty that characterized all his
movements; or else would sit broodingly in his great chair, resting his
head on his hands, and evincing life only by an electric sparkle of
ill-humor, whenever Hepzibah endeavored to arouse him. Phoebe's
presence, and the contiguity of her fresh life to his blighted one, was
usually all that he required. Indeed, such was the native gush and play
of her spirit, that she was seldom perfectly quiet and undemonstrative,
any more than a fountain ever ceases to dimple and warble with its
flow. She possessed the gift of song, and that, too, so naturally, that
you would as little think of inquiring whence she had caught it, or
what master had taught her, as of asking the same questions about a
bird, in whose small strain of music we recognize the voice of the
Creator as distinctly as in the loudest accents of his thunder. So long
as Phoebe sang, she might stray at her own will about the house.
Clifford was content, whether the sweet, airy homeliness of her tones
came down from the upper chambers, or along the passageway from the
shop, or was sprinkled through the foliage of the pear-tree, inward
from the garden, with the twinkling sunbeams. He would sit quietly,
with a gentle pleasure gleaming over his face, brighter now, and now a
little dimmer, as the song happened to float near him, or was more
remotely heard. It pleased him best, however, when she sat on a low
footstool at his knee.

It is perhaps remarkable, considering her temperament, that Phoebe
oftener chose a strain of pathos than of gayety. But the young and
happy are not ill pleased to temper their life with a transparent
shadow. The deepest pathos of Phoebe's voice and song, moreover, came
sifted through the golden texture of a cheery spirit, and was somehow
so interfused with the quality thence acquired, that one's heart felt
all the lighter for having wept at it. Broad mirth, in the sacred
presence of dark misfortune, would