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ark, and was once very happy: "I feared not the force of forraigne foes, for I knewe none but were my faithfull friends," says he, in a style that reminds one of the King Herod of miracle-plays. Living in such content, he thought it advisable to invade France, where at that time a king was reigning, named Pelorus, about whom chroniclers are silent. Arbasto came straight to Orleans, and after some siege operations, "had so shaken the walles with cannon shot, that they were forced to strengthen them with counter mures." A three months' truce is agreed to on both sides, and the two sovereigns entertain each other. At the French court, Arbasto meets the two daughters of the king, Myrania and Doralicia, two wonderful creatures, especially the latter, who was "so adorned with more then earthlie perfection as she seemed to be framed by nature to blemishe nature, and that beautie had skipt beyond her skil in framing a peece of such curious workemanship." Arbasto cannot cease gazing at her; he addresses to himself euphuistic speeches several pages long, but they do him no good. It so happens that while his love is set on Doralicia, the other princess falls in love with him. But this again does him no good. He ceases to find anything worth living for; even the possible destruction of France seems to him tasteless. His nobles observe his changed mood, and wonder, and his confidant, Duke Egerio, vainly tries on him the effect of a new series of euphuistic examples and similes. Arbasto continues loving, and Doralicia perseveres in her coldness; they meet once, and argue one against the other with the help of salamanders and scorpions, and empty their whole herbaria over each other's head; but things remain _in statu_. King Pelorus, who, for all that, does not lose his head, offers Arbasto an interview in Orleans to sign the peace. Arbasto comes, the gates are shut, he is thrown into prison; his army is cut to pieces, and a great scaffold is erected in a conspicuous place, on which the prisoner is to be publicly executed in ten days' time. The royal Dane tries to console himself in his prison with what remains of his herbarium and zoology. But better help comes in the shape of the loving princess, Myrania, who is resolved to save him. By her command her maid entices the gaoler to her room, and causes him to tread "upon a false bord" that had apparently been there in all times, ready for this very emergency. The gaoler falls "up
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