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dily resisted; and accordingly, when the success of foreign revolution had raised men's spirits to the highest point of impatience, the middle classes, which wanted a moderate reform, were unfortunately thrown on the side of the wild and anarchical spirits that wished for utter revolution. The church, by holding with the state, was partly involved in the same obloquy. Paine's works, resembling Rousseau's in purpose, though quite opposite in style, were as much adapted to the lower classes of England as his to the polished upper classes of France. The Age of Reason, was a pamphlet admitting of quick perusal. It was afterwards followed by a second part, in which a defence was offered against the replies made to the former part. The object of the two is to state reasons for rejecting the Bible,(632) and to explain the nature of the religion of deism,(633) which was proposed as a substitute. A portion is devoted to an attack on the external evidence of revelation, or, as the author blasphemously calls it,(634) "the three principal means of imposture," prophecy, miracles, and mystery; the latter of which he asserts may exist in the physical, but not by the nature of things in the moral world. A larger portion is devoted to a collection of the various internal difficulties of the books of the Old and New Testament, and of the schemes of religion, Jewish and Christian.(635) The great mass of these objections are those which had been suggested by English or French deists, but are stated with extreme bitterness. The most novel part of this work is the use which Paine makes of the discoveries of astronomy(636) in revealing the vastness of the universe and a plurality of globes, to discredit the idea of interference on behalf of this insignificant planet,--an argument which he wields especially against the doctrine of incarnation. But no part of his work manifests such bitterness, and at the same time such a specious mode of argument, as his attack on the doctrine of redemption and substitutional atonement.(637) The work, in its satire and its blasphemous ribaldry, is a fit parallel to those of Voltaire. Every line is fresh from the writer's mind, and written with an acrimony which accounts for much of its influence. The religion which Paine substituted for Christianity was the belief in one God as revealed by science, in immortality as the continuance of conscious existence, in the natural equality of man, and in the obligation of
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