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, as she must constantly be, with her great rival, Frederick. Errors and faults we can overlook when they are those of our common nature; intractability, impetuosity, lofty pride, superstition, even bigotry, an impatience of wrongs, furious and implacable--all these, the faults of Maria Theresa, may be forgiven, may at least be understood. But Frederick had no merits save courage and ability; these, great as they are, cannot reconcile us to a character with which we can have no sympathy--of which the beginning, the middle, and the end, the foundation and the essence, were entire, unceasing, inextinguishable, concentrated selfishness. I do not detain my hearers with any further reference to Maria Theresa. She long occupies the pages of history--the interesting and captivating princess--the able and still attractive Queen--the respected and venerable matron, grown prudent by long familiarity with the uncertainty of fortune, and sinking into decline amid the praises and blessings of her subjects. DEFEAT OF THE YOUNG PRETENDER AT CULLODEN LAST OF THE STUARTS A.D. 1746 JUSTIN McCARTHY Obstinate tenacity of purpose--a leading characteristic of the Stuart sovereigns--showed a remarkable survival in the vain attempt of the grandson of James II to recover the throne of England. The chief historical significance of that attempt lies in the fact that its failure marks the end of the Stuart endeavor for renewed power. Charles Edward Louis Philip Casimir, known as the "Young Pretender," also as the "Young Chevalier" and "Bonnie Prince Charlie," was born in Rome in 1720. From his earliest years he was the hope of the Jacobites, as the political descendants of the partisans of James II were called. In 1743 Charles headed an abortive expedition for the invasion of England from France. In August, 1745, he landed with seven followers in the Hebrides, and on the 19th raised the standard of his father in Glenfinnan, Scotland. There at once the Highland clans rallied to his support and began what is known as the "Rising of '45" or the "Forty-five," the beginning and ending of which are told here in McCarthy's most brilliant manner. From the first young Charles Stuart might well have come to regard himself as the favorite of fortune. The history of the "Forty-five" divides itself into two distinct parts: the first a triumphant record of brilliant victo
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