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monial. It is not to be supposed, however, that these Korean artisans showed any superiority to the Japanese as artists. The improvements they introduced were almost entirely of a technical character. Another benefit derived by Japan from her contact with Korea at this time was the introduction of movable type. Up to this time the art of printing had been in a very primitive condition in Japan, and the first book printed with movable type made its appearance in the Bunroku era (1592-1595). ENGRAVING: SIGNATURE OF TAKEDA SHINGEN ENGRAVING: NAGOYA CASTLE CHAPTER XXXVI THE MOMO-YAMA EPOCH MOMO-YAMA THE epochs of Japanese history from the eighth century until the fall of the Ashikaga shogunate are generally divided into the Nara, the Heian, the Kamakura, the Muromachi, and the Higashi-yama. To these has now to be added the Momo-yama (Peach Hill), a term derived from the name of a palatial residence built by Hideyoshi in the Fushimi suburb of Kyoto. The project was conceived in 1593, that is to say, during the course of the Korean campaign, and the business of collecting materials was managed on such a colossal scale that the foundations could be laid by September in the same year. Two months sufficed not only to construct a mansion of extraordinary magnificence and most elaborate interior decoration, but also to surround it with a spacious park presenting all the choicest features of Japanese landscape gardens. The annals state that fifty thousand men were engaged on the work, and the assertion ceases to seem extravagant when we consider the nature of the task and the singularly brief period devoted to its completion. It was Hideyoshi's foible to surpass all his predecessors and contemporaries alike in the magnitude of his designs and in the celerity of their achievement. Even his pastimes were conceived on the same stupendous scale. Thus, in 1594, at the very time when his armies in Korea were conducting an oversea campaign of unprecedented magnitude, he planned a flower-viewing fete which will live in the pages of history as more sumptuous and more magnificent than the hitherto unrivalled festivities of Yoshimasa. The places visited were the cherry-clad hills of Yoshino and the venerable monastery of Koya, and some idea of the scale of the fete may be gathered from the fact that to a shrine on Koya-san, dedicated to the memory of his mother, Hideyoshi presented a sum equivalent to L14,000 or $68,000.
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