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action when he happened to observe the wrinkles which time had written on the suppliant's face. He recovered his sang-froid and contented himself with sending the officer from his presence and subsequently causing to be handed to him a couplet setting forth the evils of bribery and corruption. He forgave the guilty man in consideration of his advanced age, and the incident is said to have closed with the suicide of the old officer. Frugality was another trait of Nobunaga's character. But he did not save money for money's sake. He spent with lavish hand when the occasion called for munificence; as when he contributed a great sum for the rebuilding of the Ise shrines. Perhaps nothing constitutes a better clue to his disposition than the verses he habitually quoted: Life is short; the world is a mere dream to the idle. Only the fool fears death, for what is there of life that does Not die once, sooner or later? Man has to die once and once only; He should make his death glorious. It is recorded that Nobunaga's demeanour in battle truly reflected the spirit of these verses. ENGRAVING: TOYOTOMI HIDEYOSHI HIDEYOSHI Nobunaga certainly deserved the success he achieved, but that he achieved it must be attributed in part to accident. That accident was his association with Hideyoshi.* It has been sometimes said that circumstances beget the men to deal with them. Fallacious as such a doctrine is, it almost compels belief when we observe that the second half of the sixteenth century in Japan produced three of the greatest men the world has ever seen, and that they joined hands to accomplish the stupendous task of restoring peace and order to an empire which had been almost continuously torn by war throughout five consecutive centuries. These three men were born within an interval of eight years: Nobunaga, in 1534; Hideyoshi, in 1536, and Ieyasu, in 1542. *To avoid needless difficulty the name "Hideyoshi" is used solely throughout this history. But, as a matter of fact, the great statesman and general was called in his childhood Nakamura Hiyoshi; his adult name was Tokichi; afterwards he changed this to Hashiba and ultimately, he was known as Toyotomi Hideyoshi. There are many stories about Hideyoshi's early days, but the details are obscured by a record called the Taikoki, which undoubtedly makes many excursions into the region of romance. The plain facts appear to be that Hideyoshi was the son of a
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