ances into the air, catching them again,
bending backwards, and springing forwards with great agility.
Then when they are in a violent sweat, from this exercise, they
will frequently jump into the water, without the least bad
consequences to their health. Their women have their dancing and
music too by themselves; but never mingle in those of the men.
In VIRGINIA, according to the author of the history of that
country, they have two different kinds of dancing; the first,
either single, or at the most in small companies; or, secondly,
in great numbers together, but without having any regard either
to time or figure.
In the first kind one person only dances, or two, or three at
most. While during their performance, the rest, who are seated
round them in a ring, sing as loud as they can scream, and ring
their little bells. Sometimes the dancers themselves sing, dart
terribly threatening looks, stamp their feet upon the ground,
and exhibit a thousand antic postures and grimaces.
In the other dance, consisting of a more numerous company of
performers, the dance is executed round stakes set in the form
of a circle, adorned with some sculpture, or round about a fire,
which they light in a convenient place. Every one has his little
bell, his bow and arrow in his hand. They also cover themselves
with leaves, and thus equipped, begin their dance. Sometimes
they set three young women in the midst of the circle.
In PERU, the manner of dancing has something very particular.
Instead of laying any stress on the motion of the arms, in most
of their dances, their arms hang down, or are wrapped up in a
kind of mantle, so that nothing is seen but the bending of the
body, and the activity of the feet; they have however many
figure-dances, in which they lay aside their cloaks or mantles,
but the graces they add, are rather actions than gestures.
The PERUVIAN Creolians dance after the same manner, without
laying aside their long swords, the point of which they contrive
to keep up before them so that it may not hinder them from
rising, or in coupeeing, which is sometimes to such a degree
that it looks like kneeling.
They have a dance there, adopted from the natives, which they
call _Zapatas_, (shoes) because in dancing they alternately
strike with the heels and toes, taking some steps, and
coupeeing, as they traverse their ground.
Among the savages of North-America, we are told there are
various dances practised, such as tha
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