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en released plunged into noiseless tumult with opposing fumes. The kitchen was a crucible, and the old dame a mediaeval alchemist. The flames and smoke striving upward, as if to reach her bending face, made it glow with the hue of the copper kettle, a wrinkled copper, etched deep with lines of life, of merriment, perplexity, of shrewd and practical experience. As she stirred, testing by nose and eye the rapid completion of her work, she was determining to put aside for her own use a goodly share of the beneficent fluid. The coming of the wild man had unnerved her terribly. In the threatening family change she could perceive nothing but menace. Apprehension even now weighed down upon her, a foreshadowing of evil that had, somehow, a present hostage in the deep silence of Ume's room. Of what was her nursling thinking? How had it seemed to her, so guarded, and so delicately reared, this being summoned like a hired geisha to dance before a stranger,--a ragged, unkempt, hungry stranger! Even her father's well-known madness for things of art could scarcely atone to his child for this indignity. Kano had gone promptly to his bath. He was now emerging. His bare feet grazed the wooden corridor. Mata ran to him. "Good! Ah, that was good!" he said heartily. "Five years of aches have I left in the tub!" Within his chamber the andon was already lighted, and the long, silken bed-cushions spread. Mata assisted him to slip down carefully between the mattress and the thin coverlid. She patted and arranged him as she would a child, and then went to fetch the draught. "Mata, thou art a treasure," he said, as she knelt beside him, the bowl outstretched. He drained the last drop, and the old friends exchanged smiles of answering satisfaction. Before leaving him she trimmed and lowered the andon so that its yellow light would be a mere glimmer in the darkness. She moved now deliberately to Ume's fusuma, tapping lightly on the lacquered frame. "Miss Ume! O Jo San!" she called. Nothing answered. Mata parted the fusuma an inch. The Japanese matted floor, even in darkness, gives out a sort of ghostly, phosphorescent glow. Thus, in the unlit space Mata could perceive that the girl lay at full length, her Dragon Robe changed to an ordinary house dress, her long hair unbound, her face turned downward and hidden on an outstretched arm. It was not a pose of grief, neither did it hint of slumber. "Honorable Young Lad
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