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The Project Gutenberg EBook of A Fair Penitent, by Wilkie Collins This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: A Fair Penitent Author: Wilkie Collins Posting Date: October 5, 2008 [EBook #2006] Release Date: December, 1999 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK A FAIR PENITENT *** Produced by Christopher Hapka A FAIR PENITENT By Wilkie Collins About "A Fair Penitent" This story first appeared in Charles Dickens' magazine, "Household Words," volume 16, number 382, July 18, 1857. Published anonymously, as all contributions to the magazine were, it was attributed definitely to Wilkie Collins by Anne Lohrli in her analysis of the magazine's financial accounts. A FAIR PENITENT Charles Pineau Duclos was a French writer of biographies and novels, who lived and worked during the first half of the eighteenth century. He prospered sufficiently well, as a literary man, to be made secretary to the French Academy, and to be allowed to succeed Voltaire in the office of historiographer of France. He has left behind him, in his own country, the reputation of a lively writer of the second class, who addressed the public of his day with fair success, and who, since his death, has not troubled posterity to take any particular notice of him. Among the papers left by Duclos, two manuscripts were found, which he probably intended to turn to some literary account. The first was a brief Memoir, written by himself, of a Frenchwoman, named Mademoiselle Gautier, who began life as an actress and who ended it as a Carmelite nun. The second manuscript was the lady's own account of the process of her conversion, and of the circumstances which attended her moral passage from the state of a sinner to the state of a saint. There are certain national peculiarities in the character of Mademoiselle Gautier and in the narrative of her conversion, which are perhaps interesting enough to be reproduced with some chance of pleasing the present day. It appears, from the account given of her by Duclos, that Mademoiselle Gautier made her appearance on the stage of the Theatre Francois in the year seventeen hundred and sixteen. She is describ
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