fairest turnest thine."
We add to these fragments of Hafiz a few specimens from other poets.
NISAMI.
"While roses bloomed along the plain,
The nightingale to the falcon said,
'Why of all birds must thou be dumb?
With closed mouth thou utterest,
Though dying, no last word to man.
Yet sitt'st thou on the hand of princes,
And feedest on the grouse's breast,
Whilst I, who hundred thousand jewels
Squander in a single tone,
Lo! I feed myself with worms,
And my dwelling is the thorn.'--
The falcon answered, 'Be all ear:
I, experienced in affairs,
See fifty things, say never one;
But thee the people prizes not
Who, doing nothing, say'st a thousand.
To me, appointed to the chase,
The king's hand gives the grouse's breast;
Whilst a chatterer like thee
Must gnaw worms in the thorn. Farewell!'"
The following passages exhibit the strong tendency of the Persian poets
to contemplative and religious poetry and to allegory.
ENWERI.
BODY AND SOUL.
"A painter in China once painted a hall;--
Such a web never hung on an emperor's wall;--
One half from his brush with rich colours did run,
The other he touched with a beam of the sun;
So that all which delighted the eye in one side,
The same, point to point, in the other replied.
"In thee, friend, that Tyrian chamber is found;
Thine the star-pointing roof, and the base on the ground:
Is one half depicted with colours less bright?
Beware that the counterpart blazes with light!"
IBN JEMIN.
"I read on the porch of a palace bold
In a purple tablet letters cast,--
'A house though a million winters old,
A house of earth comes down at last;
Then quarry thy stones from the crystal All,
And build the dome that shall not fall.'"
"What need," cries the mystic Feisi, "of palaces and tapestry? What
need even of a bed?"
"The eternal Watcher who doth wake
All night in the body's earthen chest,
Will of thine arms a pillow make,
And a bolster of thy breast."
Ferideddin Attar wrote the "Bird Conversations," a mystical tale in
which the birds coming together to choose their king, resolve on a
pilgrimage to Mount Kaf, to pay their homage to the Simorg. From this
poem, written five hundred years ago, we cite the following passage, as
a proof of the identity of mysticism in all perio
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