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for his inspection until the paper was ready for the press. Some alterations were made from the original pictures. The following are the most important to be noted: In Plate XXXVIII the batten should appear held horizontally, not obliquely. Fig. 5 is reduced and cannot fairly delineate the gradations in color and regular sharp outlines of the finely-serrated figures. Fig. 53 does not convey the fact that the stripes are of uniform width and all the right-angles accurately made. * * * * * INDEX Blankets, Navajo 380-388 Codex, The Vatican; Illustrating Mexican weaving 391 Colors prepared for Navajo fabrics 376 Cotton woven in Pueblos, Native 375 Dyeing among Navajoes 377 Dyes used by Navajoes 377 Fabrics; Prehistoric textiles of the United States 393-425 Healds of Navajo loom 378 Mode of applying the 380, 384 Zuni 389 Looms, Navajo 377 Mathews, Dr. W., Navajo weavers 371-391 Navajo blankets, Varieties of 385-388 Mode of weaving 383 diagonal 383 diamond 384 dyeing 377 dyes 376 healds in loom used 380 looms 377 position in weaving 380 warp of blankets 378-379 sash 388 weavers 371-391 wool 375 Taylor, E.B., Anthropology cited 391 Warp, Construction of Navajo blanket 378 Warp, Construction of Navajo sash 388 Weavers, Navajo, by Dr. Washington Mathews 371-391 Weaving, Navajo position in 380 wool by Navajoes 375 Zuni, healds 389 * * * * * End of the Project Gutenberg EBook of Navajo weavers, by Washington Matthews *** END OF THIS PROJECT GUTENBERG EBOOK NAVAJO WEAVERS *** ***** This file should be named 17742.txt or 17742.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/7/7/4/17742/ Produced by PM for Bureau of American Ethnology, Jeannie Howse and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by the Bibliotheque nationale de France (BnF/Gallica) at http://gallica.bnf.fr) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United S
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