tly upon the tracks, so that she cannot avoid being run
over. She hears the bones crackle. (From this she experiences a feeling
of discomfort but no real horror.) She then looks out through the car
window to see whether the parts cannot be seen behind. She then
reproaches her mother for allowing the little one to go out alone."
Analysis. It is not an easy matter to give here a complete
interpretation of the dream. It forms part of a cycle of dreams, and can
be fully understood only in connection with the others. For it is not
easy to get the necessary material sufficiently isolated to prove the
symbolism. The patient at first finds that the railroad journey is to be
interpreted historically as an allusion to a departure from a sanatorium
for nervous diseases, with the superintendent of which she naturally was
in love. Her mother took her away from this place, and the physician
came to the railroad station and handed her a bouquet of flowers on
leaving; she felt uncomfortable because her mother witnessed this
homage. Here the mother, therefore, appears as a disturber of her love
affairs, which is the role actually played by this strict woman during
her daughter's girlhood. The next thought referred to the sentence: "She
then looks to see whether the parts can be seen behind." In the dream
facade one would naturally be compelled to think of the parts of the
little daughter run over and ground up. The thought, however, turns in
quite a different direction. She recalls that she once saw her father in
the bath-room naked from behind; she then begins to talk about the sex
differentiation, and asserts that in the man the genitals can be seen
from behind, but in the woman they cannot. In this connection she now
herself offers the interpretation that the little one is the genital,
her little one (she has a four-year-old daughter) her own genital. She
reproaches her mother for wanting her to live as though she had no
genital, and recognizes this reproach in the introductory sentence of
the dream; the mother sends away her little one so that she must go
alone. In her phantasy going alone on the street signifies to have no
man and no sexual relations (coire = to go together), and this she does
not like. According to all her statements she really suffered as a girl
on account of the jealousy of her mother, because she showed a
preference for her father.

The "little one" has been noted as a symbol for the male or the female
genitals