Radcliffe College in the fall of 1908. Several
years later it was staged by Professor Baker in the "47 Workshop," his
laboratory for trying out plays written in the Harvard and Radcliffe
courses in dramatic technique.

I am glad to acknowledge here my indebtedness to the "Shop" and its
workers for this chance of seeing the play in action. Of the various
advantages which a "Workshop" performance secures to the author none is
more helpful than the mass of written criticism handed in by the
audience, and representing some two or three hundred frank and widely
varying views of the work in question. I am especially grateful for this
constructive criticism, much of which has been of real service in the
subsequent rewriting of the piece.

"Why the Chimes Rang" was again tried out the next year in seven
performances by the "Workshop" company in various Boston settlements.
Other groups of amateurs have given it in Arlington, Massachusetts, Los
Angeles, California and in Honolulu. These performances have proved that
while its setting may seem to call for the equipment of a theatre, the
play can be acceptably given in any hall or Sunday school room.

Suggestions for the simplest possible staging have been added to the
present publication in an appendix which contains data on the scenery,
music, lighting, costumes and properties for the piece.

ELIZABETH APTHORP McFADDEN.

WHY THE CHIMES RANG.

CHARACTERS.

HOLGER......................._A peasant boy_
STEEN........................_His younger brother_
BERTEL......................._Their uncle_
AN OLD WOMAN
LORDS, LADIES, _etc._--

TIME:--_Dusk of a day of long ago_.

* * * * *

SCENE:--_The interior of a wood-chopper's hut on the edge of a forest_.

Why the Chimes Rang.

The scene is laid in a peasant's hut on the edge of a forest near a
cathedral town. It is a dark low-raftered room lit only by the glowing
wood fire in the great fireplace in the wall to the right, and by a
faint moonlight that steals in through the little window high in the
left wall. This window commands a view of the cathedral and of the road
leading down into the town. The only entrance into the hut is the front
door near the window.

The furnishings are few: two substantial stools, one near the window,
the other before the fire, logs piled up near the hearth, and on the
chimney shelf above a few dishes, three little bowls, three spoons and