FREE BOOKS

Author's List




PREV.   NEXT  
|<   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66  
67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   >>   >|  
nthusiasts propose, we should be no nearer to a common technology for Europe than we were to a common language. Metal, and even stone, implements do not help us much further, though they were traded more widely than pottery, and form larger provinces. In modern Europe, in the same way, pocket-knives are rather more uniform than milk-jugs; and where they differ, are referable to fewer types. But there is no unity, nor for the present any prospect of it. For anything more, we are reduced to the great crises of material culture, such as the introduction of bronze, of iron, of glass and glazed earthenware; and these we perceive increasingly not as turning points of the whole, but as processes within it, affecting now one region, now another, in a sequence which is clearly geographical and at very variable speed. Bronze, for example, took some thousands of years to permeate the continent of Europe; iron perhaps as many hundreds; platinum a little more than fifty years; and radium less than five. What we do get from this material evidence, however, is a quite indisputable sequence of styles in time in each locality where we can hit upon stratified remains. Dead men, they say, tell no tales; potsherds are as truthful and eloquent as they are, for the very reason that, once broken, they are dead and done with, and are allowed to lie quiet in their rubbish heaps. Intervals indeed we cannot so easily measure; but of sequences we can be sure, and by comparing the sequences on different sites we can go far towards tracing the spread and supersession of a style, sometimes over wide areas, and occasionally, with the help of the geography, we can be pretty sure of the routes by which innovations travelled. We can infer nothing, however, from this as to the movements of people: the vogue of the willow-pattern plate is no measure of our 'yellow-peril'. But where works of art can travel, ideas can travel too; and can travel right across the frontiers of race and language and even of religion; meaning at all events by these, the customary observance of each region, and of its endemic population. A few merchants, or craftsmen, or philosophers, work transformations in culture and bring about uniformities, of which language, or cult-edifices give us no indication at all, or at best an aftermath of decadence. It is not a merely ephemeral interest which draws attention at this point to the significance of engines of war, among this class
PREV.   NEXT  
|<   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66  
67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   >>   >|  



Top keywords:
travel
 

Europe

 

language

 
sequence
 

region

 

material

 
culture
 

common

 

measure

 
sequences

occasionally

 

pretty

 

geography

 
travelled
 
routes
 

movements

 

innovations

 

rubbish

 
Intervals
 

allowed


easily

 

spread

 

tracing

 

supersession

 

comparing

 

edifices

 

indication

 

uniformities

 

philosophers

 

transformations


aftermath

 

decadence

 
engines
 

significance

 

attention

 
ephemeral
 

interest

 

craftsmen

 

merchants

 

yellow


willow

 

pattern

 
broken
 

frontiers

 

endemic

 
population
 

observance

 
customary
 
religion
 
meaning