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every vowel sound that position of the resonator which gives us the maximum of resonance. By percussing[A] the resonator in the position for the production of the various vowel sounds you will observe a distinct difference in the pitch of the note produced. I will first produce the vowel sound _oo_ and proceed with the vowel sounds to _i_; you will observe that the pitch rises an octave; that this is due to the changes in the form of the resonator is shown when I percuss the resonator in the position of the different vowel sounds. You will observe that I start the scale of C with _oo_ on f and proceed through a series of vowel sounds as in whispering _who_, _owe_, _or_, _on_, _ah_. I rise a fifth from f to c, and the diagram shows the change in the form of the resonator cavity to be mainly due to the position of the dorsum of the tongue. Proceeding from _ah_ to the middle tone of the speaking register, we ascend the scale to _i_ as in _me_, and the dorsum of the tongue now reaches the roof of the mouth; but the tongue not only rises, it comes forward, and the front segment of the resonator is made a little smaller at every step of the scale while the back segment becomes a little larger. I consider this diagram of Aikin to be more representative of the changes in the resonator than the description of Helmholtz, who stated that the form of the resonator during the production of the vowel sound _u_ and _o_ is that of a globular flask with a short neck; during the production of _a_ that of a funnel with the wide extremity directed forward; of _e_ and _i_ that of a globular flask with a long narrow neck. [Footnote A: This was done by the lecturer placing his left forefinger on the outside of the right cheek, then striking it with the tip of the middle finger of the right hand, just in the same way as he would percuss the chest.--F.W.M.] [Illustration: FIG. 13 I & II To face page 47] [Description: FIG. 13.--Diagram after Aikin. 1. To show position of tongue and lips in the production of the vowel sounds _a, o, oo_. 2. To show successive positions of the tongue in the production of the vowel sounds _a, ei, e, i_.] I have already said that Helmholtz showed that each vowel sound has its particular overtones, and the quality or "timbre" of the voice depends upon the proportional strength of these overtones. Helmholtz was able by means of resonators to find out what were the overtones for each vowel sound when a parti
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