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or have I got to wait here all night? Why don't he come outside, and I'll break every bone in his body." Mr. Stobell scratched his head in gloomy perplexity; then, as his gaze fell upon the smiling countenances of Mr. Todd's fellow-townsmen, his face cleared. "He's an old man," he said, slowly, "but if any of you would like to step outside with me for five minutes, you've only got to say the word, you know." Nobody manifesting any signs of accepting this offer, he turned away and took a seat by the side of the indignant Tredgold. Mr. Todd, after a final outburst, began to feel exhausted, and forsaking his prey with much reluctance allowed himself to be led away. Snatches of a strong and copious benediction, only partly mellowed by distance, fell upon the ears of the listeners. "Did you offer him the seventy?" inquired Captain Brisket, turning to Mr. Tredgold. "I did," said Mr. Chalk, plaintively. "Ah," said the captain, regarding him thoughtfully; "perhaps you ought to ha' made it eighty. He's asking eight hundred for it, I understand." Mr. Tredgold turned sharply. "Eight hundred?" he gasped. The captain nodded. "And I'm not saying it's not worth it," he said, "but I might be able to get it for you for six. You'd better leave it to me now." [Illustration: "Captain Brisket waving farewells from the quay as they embarked."] Mr. Tredgold at first said he would have nothing more to do with it, but under the softening influence of a pipe and a glass was induced to reconsider his decision. Captain Brisket, waving farewells from the quay as they embarked on the ferryboat later on in the afternoon, bore in his pocket the cards of all three gentlemen, together with a commission entrusting him with the preliminary negotiations for the purchase of the Fair Emily. End of the Project Gutenberg EBook of Dialstone Lane, Part 2., by W.W. Jacobs *** END OF THIS PROJECT GUTENBERG EBOOK DIALSTONE LANE, PART 2. *** ***** This file should be named 11972.txt or 11972.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/1/9/7/11972/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States wi
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