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The Project Gutenberg EBook of The Mirror of Literature, Amusement, and Instruction, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Mirror of Literature, Amusement, and Instruction Volume 13, No. 354, Saturday, January 31, 1829. Author: Various Release Date: February 29, 2004 [EBook #11382] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK MIRROR OF LITERATURE, NO. 354 *** Produced by Jonathan Ingram, Allen Siddle and the Online Distributed Proofreading Team. THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION. No. 354.] SATURDAY, JANUARY 31, 1829. [PRICE 2_d_. [Illustration: THE COLOSSEUM, IN THE REGENT'S PARK.] THE COLOSSEUM, IN THE REGENT'S PARK. In a recent Number of the MIRROR we offered ourselves as the reader's _cicerone_ throughout the interior of this stupendous building, the exterior of which is represented in the annexed engraving; and the architectural pretensions of which will, we trust, be found of equal interest to the interior. The Colosseum is what is termed a polygon of sixteen sides, 130 feet in diameter. Each angle is strengthened by a double square pilaster of the Doric order, which supports an entablature, continued round the whole edifice. Above the cornice is a blocking course, surmounted by an attic, with an appropriate cornice and sub-blocking, to add to the height of the building. The whole is crowned with a majestic cupola, supported by three receding _scamilli_, or steps, and finished with an immense open circle. The upper part of the cupola is glazed, and protected with fine wire-work, and the lower part is covered with sheet copper; which distinctions are shown in the engraving. When the spectator's surprise and admiration at the vastness of the building have somewhat subsided, his attention will be drawn to the fine and harmonious proportions of the portico, considered by architects as one of the best specimens of Graeco-Doric in the metropolis. This portion of the building is copied from the portico of the Pantheon at Rome, "which, in the harmony of its proportions, and the exquisite beauty of its columns, surpasses every temple on the earth." Altogether, the g
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