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man. A veteran band-leader of Boston. 109. Frank Hervey. A veteran restaurant-keeper in Exeter. New living in Concord, N. H. 110. "Rashe Belnap": WILLIAM H. BELKNAP. A retired banker and real-estate man of Exeter. Town clerk of Exeter for twenty-five years. 111. Henry Simpson. Periodical dealer in the late sixties. Living in Maine. 112. Luke Maniac. Now living in Texas. As a boy he could curve a snowball round the corner, like T. B. Aldrich's "Binny Wallace." 113. "Bob Ridley": GEORGE ELLIOTT. Exeter. A right good fellow. 114. Sam Dyer. A rather eccentric blacksmith. Died in the West. 115. Horace Cobb. A good-natured, short, and extremely fat man. A native of Exeter, and last of a very prominent family. Died several years ago. 116. Dennis Cokely. Address not known. I have always felt badly "to think the fight was throwed away, and neither of them licked." 117. Johnnie Rogers. A cousin of the Chadwicks. Deceased. 118. Cap. John W. Chadwick. A retired sea-captain. Father of "Poz," "Boog," "Whack," and "Willie," "Whack's little brother." A most cultivated gentleman, whose heart was kind, but whose word was law. Deceased. 119. "Zee" Smith: FRANK SMITH. Deceased in Lowell. 120. Miss Pratt. A laundress much patronized by students. She accumulated much property by practising the gentle art of polishing shirts. 121. "Old Durgin": ME. EZRA DURGIN. A rather quick-tempered but worthy policeman, contemporary with "Old Swain" and "Old Kize." 122. Various "stewdcats." Who have played their parts and gone. 123. "Plupy," "Skinny," "Polelegs": THE AUTHOR. De minimis non curat lex. End of Project Gutenberg's The Real Diary of a Real Boy, by Henry A. Shute *** END OF THIS PROJECT GUTENBERG EBOOK THE REAL DIARY OF A REAL BOY *** ***** This file should be named 5111.txt or 5111.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/5/1/1/5111/ Produced by Kent Fielden Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to c
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