e manner set forth below:

PART 201--GENERAL PROVISIONS

1. The authority citation for part 201 is revised to read as
follows:

Authority: 17 U.S.C. 702.

2. Section 201.31 is amended by revising the first sentence of
paragraph (a) to read as follows:

Sec. 201.31 Procedures for copyright restoration in the United States
for certain motion pictures and their contents in accordance with the
North American Free Trade Agreement.

(a) General. This section prescribes the procedures for submission
of Statements of Intent pertaining to the restoration of copyright
protection in the United States for certain motion pictures and works
embodied therein as required by the North American Free Trade Agreement
Implementation Act of December 8, 1993, Public Law No. 103-182. * * *

* * * * *

3. Section 201.33 is added to read as follows:

Sec. 201.33 Procedures for filing Notices of Intent to Enforce a
restored copyright under the Uruguay Round Agreements Act.

(a) General. This section prescribes the procedures for submission
of Notices of Intent to Enforce a Restored Copyright under the Uruguay
Round Agreements Act, as required in 17 U.S.C. 104A(a). On or before
May 1, 1996, and every four months thereafter, the Copyright Office
will publish in the Federal Register a list of works for which Notices
of Intent to Enforce have been filed. It will maintain a list of these
works. The Office will also make a more complete version of the
information contained in the Notice of Intent to Enforce available on
its automated database, which can be accessed over the Internet.

(b) Definitions--(1) NAFTA work means a work restored to copyright
on January 1, 1995, as a result of compliance with procedures contained
in the North American Free Trade Agreement Implementation Act of
December 8, 1993, Public Law No. 103-182.

(2) Reliance party means any person who--

(i) With respect to a particular work, engages in acts, before the
source country of that work becomes an eligible country under the URAA,
which would have violated 17 U.S.C. 106 if the restored work had been
subject to a copyright protection and who, after the source country
becomes an eligible country, continues to engage in such acts;

(ii) Before the source country of a particular work becomes an
eligible country, makes or acquires one or more copies of phonorecords
of that work; or

(iii) As the result of the sale or o