ich confronted me when I came to Boston was,
then, as native as could well be; and whatever value I may be able to
give a personal study of it will be from the effect it made upon me as
one strange in everything but sympathy. I will not pretend that I saw it
in its entirety, and I have no hope of presenting anything like a
kinetoscopic impression of it. What I can do is to give here and there a
glimpse of it; and I shall wish the reader to keep in mind the fact that
it was in a "state of transition," as everything is always and
everywhere. It was no sooner recognizably native than it ceased to be
fully so; and I became a witness of it after the change had begun. The
publishing house which so long embodied New England literature was
already attempting enterprises out of the line of its traditions, and one
of these had brought Mr. T. B. Aldrich from New York, a few weeks before
I arrived upon the scene in that dramatic quality which I think never
impressed any one but Mr. Bowles. Mr. Aldrich was the editor of 'Every
Saturday' when I came to be assistant editor of the Atlantic Monthly. We
were of nearly the same age, but he had a distinct and distinguished
priority of reputation, insomuch that in my Western remoteness I had
always ranged him with such elders and betters of mine as Holmes and
Lowell, and never imagined him the blond, slight youth I found him, with
every imaginable charm of contemporaneity. It is no part of the office
which I have intended for these slight and sufficiently wandering
glimpses of the past to show any writer in his final place; and above all
I do not presume to assign any living man his rank or station. But I
should be false to my own grateful sense of beauty in the work of this
poet if I did not at all times recognize his constancy to an ideal which
his name stands for. He is known in several kinds, but to my thinking he
is best in a certain nobler kind of poetry; a serious sort in which the
thought holds him above the scrupulosities of the art he loves and honors
so much. Sometimes the file slips in his hold, as the file must and
will; it is but an instrument at the best; but there is no mistouch in
the hand that lays itself upon the reader's heart with the pulse of the
poet's heart quick and true in it. There are sonnets of his, grave, and
simple, and lofty, which I think of with the glow and thrill possible
only from very beautiful poetry, and which impart such an emotion as we
can feel only