when one came to look into it, a reason for
assuming that she would be eager to push Pansy Osmond into his arms,
gracefully arranged as these members might be to receive her. She had
indeed shown him benevolence, and she was a person of consideration
among the girl's people, where she had a rather striking appearance
(Rosier had more than once wondered how she managed it) of being
intimate without being familiar. But possibly he had exaggerated these
advantages. There was no particular reason why she should take trouble
for him; a charming woman was charming to every one, and Rosier felt
rather a fool when he thought of his having appealed to her on the
ground that she had distinguished him. Very likely--though she had
appeared to say it in joke--she was really only thinking of his
bibelots. Had it come into her head that he might offer her two or three
of the gems of his collection? If she would only help him to marry Miss
Osmond he would present her with his whole museum. He could hardly say
so to her outright; it would seem too gross a bribe. But he should like
her to believe it.

It was with these thoughts that he went again to Mrs. Osmond's,
Mrs. Osmond having an "evening"--she had taken the Thursday of each
week--when his presence could be accounted for on general principles of
civility. The object of Mr. Rosier's well-regulated affection dwelt in
a high house in the very heart of Rome; a dark and massive structure
overlooking a sunny piazzetta in the neighbourhood of the Farnese
Palace. In a palace, too, little Pansy lived--a palace by Roman measure,
but a dungeon to poor Rosier's apprehensive mind. It seemed to him of
evil omen that the young lady he wished to marry, and whose fastidious
father he doubted of his ability to conciliate, should be immured in
a kind of domestic fortress, a pile which bore a stern old Roman name,
which smelt of historic deeds, of crime and craft and violence, which
was mentioned in "Murray" and visited by tourists who looked, on a vague
survey, disappointed and depressed, and which had frescoes by Caravaggio
in the piano nobile and a row of mutilated statues and dusty urns in the
wide, nobly-arched loggia overhanging the damp court where a fountain
gushed out of a mossy niche. In a less preoccupied frame of mind he
could have done justice to the Palazzo Roccanera; he could have entered
into the sentiment of Mrs. Osmond, who had once told him that on
settling themselves in Rome she a