a piece of cloth which was
fastened to the top, and took hold of the frame in such a way as to
carry it easily. The boy, with a long stick, pushed as if starting the
boat, and then pulled as if rowing, and with every pull of the oar, the
girl ran a few steps, making it appear that the boat shot forward. All
the while the boy sang a boat-song or a love-ditty to his sweetheart.
Again the scene changed. The head and hind parts of a papier mache
horse were fastened to the "tomboy" in such a way as to make it appear
that she was riding; a cloth was let down to hide her feet, and they
ran to and fro, one in one direction and the other in the other, she
jerking her unmanageable steed, and he singing songs, and all to the
music of the drum and the cymbals.
It sometimes happens that while the girl rides the horse, the boy goes
beside her in the boat, the rapidity and character of their movements
being governed by the music of the manager.
The best part of the whole performance was that which goes by the name
of the lion show. The girl took off her small feet and girl's clothes
and became a boy again. One of the boys stood up in front and put on an
apron of woven grass, while the other bent forward and clutched hold of
his belt. A large papier mache head of a lion was put on the front boy,
to which was attached a covering of woven grass large enough to cover
them both, while a long tail of the same material was stuck into a
framework fastened to the belt of the hinder boy.
The manager beat the drum, the lion stalked about the court, keeping
step to the music, turning its large head in every direction and
opening and shutting its mouth, much to the amusement of the children.
There is probably no country in the world that has more travelling
shows specially prepared for the entertainment of children than China.
Scarcely a day passes that we do not hear the drum or the gong of the
showmen going to and fro, or standing at our court gate waiting to be
called in.
JUVENILE JUGGLING
"How is that?"
"Very good."
"Can you do it?" asked the sleight-of-hand performer, as he rolled a
little red ball between his finger and thumb, pitched it up, caught it
as it came down, half closed his hand and blew into it, opened his hand
and the ball had disappeared.
He picked up another ball, tossed it up, caught it in his mouth,
dropped it into his hand, and it mysteriously disappeared.
The juggler was seated on the ground wit
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