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re of compelling to be hers for all time, tied to her by its helpless infirmity, too suffering and disfigured to be lured from its captivity. And so, in accordance with her philosophy of life, the widow, by a blow in the pit of the stomach with a knuckle-duster, was to bring down her bird which henceforth would be tended and cared for by "the Charmer" to her own satisfaction and the admiration of all beholders. For some reason, the natural reluctance of Gaudry, or perhaps a feeling of compunction in the heart of the widow, this plan was not put into immediate execution. Possibly she hesitated before adopting a plan more cruel, more efficacious. Her hesitation did not last long. With the dawn of the year 1877 the vigilant apprehension of the widow was roused by the tone of M. de Saint Pierre's letters. He wrote from his home in the country, "I cannot bear leaving you, and I don't mean to. We will live together." But he adds that he is depressed by difficulties with his family, "not about money or business but of a kind he can only communicate to her verbally." To the widow it was clear that these difficulties must relate to the subject of marriage. The character of Georges was not a strong one; sooner or later he might yield to the importunities of his family; her reign would be ended, a modest and insufficient pension the utmost she could hope for. She had passed the meridian of her life as a charmer of men, her health was giving way, she was greedy, ambitious, acquisitive. In January she asked her nephew, who worked as a gilder, to get her some vitriol for cleaning her copper. He complied with her request. During Jeanne de la Cour's brief and unsuccessful appearance as an actress she had taken part in a play with the rather cumbrous title, Who Puts out the Eyes must Pay for Them. The widow may have forgotten this event; its occurrence so many years before may have been merely a sinister coincidence. But the incident of the ballet-dancer and her sightless lover was fresh in her mind. Early in January the widow wrote to Georges, who was in the country, and asked him to take her to the masked ball at the Opera on the 13th. Her lover was rather surprised at her request, nor did he wish to appear with her at so public a gathering. "I don't understand," he writes, "why you are so anxious to go to the Opera. I can't see any real reason for your wanting to tire yourself out at such a disreputable gathering. However, if
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