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silent and profound abstraction--for twilight is the time the past claims from the present, and memory is summoned by silence. Theresa's feet rested on a low footstool, her hands were clasped lightly together on her lap, and she leaned back in the cushioned chair, in an attitude of perfect and unstudied grace she would have delightedly sketched in another. Have ever I described my favorite's appearance? I believe not; and yet there was much in her face and figure to arrest and enchant younger eyes than mine. I could not, if I would, delineate her features, for I only recall their charm of emotion, their attractive variety of sentiment. Her eyes were gray, with dark lashes, and their expression was at once brilliant and melancholy, and the most spiritual I have ever seen. Her hair was long and fair, with a tinge of gold glancing through its pale-brown masses, as if sunbeams were woven in its tresses. She was not above the average height, but the proportions of her figure were peculiarly beautiful, and her movements and attitudes had the indescribable gracefulness whose harmony was a portion of her being. She looked even younger than she really was, and her dress, though simple, was always tasteful and attractive, for her reverence for the beautiful extended even to common trifles, and all about her bespoke the elevating presence of intellectual ascendency. The glance that once dwelt on her returned to her face instinctively--so much of thought and feeling, of womanhood in its faculty to love and hope, of affection in its power to endure and triumph, so much of genius in the glory of its untested youth, lay written in lines of light on that pale, maidenly brow. Ah, me! that I should remember her thus! As Theresa sat there, she idly took a newspaper from the table to refold it, and as she did so, her own name attracted her attention. It headed a brief notice of her poems, which was doubtless written by some one her success had offended--there are minds that cannot forgive a fortunate rival. It was a cold, sarcastic, sneering review of her book, penned in that tone of contemptuous irony, the most profaning to talent, the most desecrating to beauty. There was neither justice nor gentleness in the paragraph, but it briefly condemned the work, and promised at some future period, a more detailed notice of its defects. It was the first time that Theresa had felt the fickleness of popular favor; and who does not know the morbid se
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