FREE BOOKS

Author's List




PREV.   NEXT  
|<   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150  
151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   >>  
soldiers appeared who were to conduct him to the scaffold. They brought with them cords, as usual, to bind the prisoner's hands. But Egmont remonstrated, and showed that he had himself cut off the collar of his doublet and shirt, in order to facilitate the stroke of the executioner. This he did to convince them that he meditated no resistance; and on his promising that he would attempt none, they consented to his remaining with his hands unbound. Egmont was drest in a crimson damask robe, over which was a Spanish mantle fringed with gold. His breeches were of black silk, and his hat, of the same material, was garnished with white and sable plumes. In his hand, which, as we have seen, remained free, he held a white handkerchief. On his way to the place of execution he was accompanied by Julian de Romero, _maitre de camp_, by the captain, Salinas, who had charge of the fortress of Ghent, and by the bishop of Ypres. As the procession moved slowly forward, the count repeated some portion of the fifty-first Psalm--"Have mercy on me, O God!"--in which the good prelate joined with him. In the center of the square, on the spot where so much of the best blood of the Netherlands had been shed, stood the scaffold, covered with black cloth. On it were two velvet cushions with a small table, shrouded likewise in black, and supporting a silver crucifix. At the corners of the platform were two poles, pointed at the end with steel, intimating the purpose for which they were intended. In front of the scaffold was the provost of the court, mounted on horseback, and bearing the red wand of office in his hand. The executioner remained, as usual, below the platform, screened from view, that he might not, by his presence before it was necessary, outrage the feelings of the prisoners. The troops, who had been under arms all night, were drawn up around in order of battle; and strong bodies of arquebusiers were posted in the great avenues which led to the square. The space left open by the soldiery was speedily occupied by a crowd of eager spectators. Others thronged the roofs and windows of the buildings that surrounded the market-place, some of which, still standing at the present day, show, by their quaint and venerable architecture, that they must have looked down on the tragic scene we are now depicting. It was indeed a gloomy day for Brussels--so long the residence of the two nobles, where their forms were as familiar and where the
PREV.   NEXT  
|<   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150  
151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   >>  



Top keywords:

scaffold

 
remained
 

square

 
platform
 

executioner

 

Egmont

 

bearing

 

provost

 

mounted

 

horseback


office

 

presence

 
outrage
 

feelings

 

screened

 

looked

 
purpose
 

silver

 
crucifix
 

supporting


likewise
 

familiar

 

shrouded

 

corners

 

depicting

 

intimating

 

tragic

 

pointed

 

intended

 

troops


residence

 

spectators

 

occupied

 
speedily
 
soldiery
 

Others

 

Brussels

 
standing
 

present

 

market


surrounded

 

thronged

 

windows

 

buildings

 

avenues

 
architecture
 

nobles

 
gloomy
 

arquebusiers

 

posted