iking as some of his previous works; yet it will bear examination
better. Without any effort at warmth of color, it has that glow of
sunlight which it is so difficult to express. A veteran tree, standing
alone upon a gentle eminence, stretching forth its giant arms, that have
withstood the storms of centuries, is truly a noble subject for an artist
of Mr. DURAND'S reputation; and most truly has he depicted it. The
distance is beautiful, and the introduction of cattle seeking their
evening shelter gives an interest seldom to be found in works of this
class. Should we attempt to find a fault, it would be the want of a little
more warmth and clearness in the dark parts of the fore-ground. No. 134,
another charming landscape; true to nature, of a silvery tone, and most
exquisite sweetness of color and delicacy of touch. Nos. 181 and 258 are
two careful studies from nature, wherein special care has been given to
the trunks of trees, a feature in landscape-painting upon which sufficient
attention is rarely bestowed. No. 244, 'Emigrant Family,' is full of
interest. The travelling family are encamped under the shade of the trees,
and the kettle hung over the fire shows that they are evidently preparing
to refresh themselves for farther toil and journeying. The foliage of the
trees is elaborately executed; the distance is well preserved; and the
whole possesses great truth to nature; perhaps however, like all '_green_'
pictures, it is less attractive in an exhibition than works of a warmer
color. No. 163, 'Portrait of a Gentleman,' has great force, and shows the
artist's versatility of genius.

F. W. EDMONDS, N. A.--No. 105, 'Beggar's Petition,' is a spirited and
faithful representation of the cold indifference to the wants of others,
displayed in the miser's disposition. The figures are of life-size, and
well drawn. The female supplicating in behalf of the distressed, is
graceful in attitude, and admirably contrasted with the hoarding miser.
No. 205, 'The Image Pedler,' is an effort of a higher order; for the
artist has attempted, and successfully too, to elevate the class of works
to which it belongs. In short, he has invested a humble subject with a
moral dignity, which we hope our younger artists, who paint in this
department, will not lose sight of. An independent farmer has his family
around him, apparently immediately after dinner, and a strolling pedler
appears among them, to dispose of his wares; and this gives interest t