FREE BOOKS

Author's List




PREV.   NEXT  
|<   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   >>  
o indifference. "I haven't been as far as Rechamp." "But you must have seen people who'd been there--you must have heard." "I've heard the masters were still there--so there must be something standing. Maybe though," she reflected, "they're in the cellars...." We continued to jog on through the dusk. V "There's the steeple!" Rechamp burst out. Through the dimness I couldn't tell which way to look; but I suppose in the thickest midnight he would have known where he was. He jumped from the trap and took the old horse by the bridle. I made out that he was guiding us into a long village street edged by houses in which every light was extinguished. The snow on the ground sent up a pale reflection, and I began to see the gabled outline of the houses and the steeple at the head of the street. The place seemed as calm and unchanged as if the sound of war had never reached it. In the open space at the end of the village Rechamp checked the horse. "The elm--there's the old elm in front of the church!" he shouted in a voice like a boy's. He ran back and caught me by both hands. "It was true, then--nothing's touched!" The old woman asked: "Is this Rechamp?" and he went back to the horse's head and turned the trap toward a tall gate between park walls. The gate was barred and padlocked, and not a gleam showed through the shutters of the porter's lodge; but Rechamp, after listening a minute or two, gave a low call twice repeated, and presently the lodge door opened, and an old man peered out. Well--I leave you to brush in the rest. Old family servant, tears and hugs and so on. I know you affect to scorn the cinema, and this was it, tremolo and all. Hang it! This war's going to teach us not to be afraid of the obvious. We piled into the trap and drove down a long avenue to the house. Black as the grave, of course; but in another minute the door opened, and there, in the hall, was another servant, screening a light--and then more doors opened on another cinema-scene: fine old drawing-room with family portraits, shaded lamp, domestic group about the fire. They evidently thought it was the servant coming to announce dinner, and not a head turned at our approach. I could see them all over Jean's shoulder: a grey-haired lady knitting with stiff fingers, an old gentleman with a high nose and a weak chin sitting in a big carved armchair and looking more like a portrait than the portraits; a pretty girl at his feet, w
PREV.   NEXT  
|<   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   >>  



Top keywords:
Rechamp
 

servant

 
opened
 

street

 
village
 
turned
 
cinema
 

houses

 

portraits

 

minute


family

 

steeple

 

porter

 

afraid

 

obvious

 

tremolo

 

presently

 

peered

 

repeated

 

listening


affect

 

fingers

 

gentleman

 

knitting

 
shoulder
 
haired
 

pretty

 

portrait

 

sitting

 

carved


armchair

 
drawing
 
shutters
 

shaded

 

screening

 

domestic

 

announce

 

coming

 

dinner

 
approach

thought
 
evidently
 

avenue

 

suppose

 
thickest
 

couldn

 

dimness

 

Through

 

midnight

 
guiding