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ere sure The Belphin was dead and the others thereby rendered inoperant. "It would spare her a lot of bother." "Because she is not The Belphin-slayer," the uncle said, dragging him out. "Besides, she loves you. Come on, Ludovick, be a man." So they hauled him off to the wedding and, amid much feasting, he was married to Corisande. * * * * * He never drew another happy breath. In the first place, now that The Belphin was dead, all the machinery that had been operated by him stopped and no one knew how to fix it. The sidewalks stopped moving, the air conditioners stopped conditioning, the food synthesizers stopped synthesizing, and so on. And, of course, everybody blamed it all on Ludovick--even that year's run of bad weather. There were famines, riots, plagues, and, after the waves of mob hostility had coalesced into national groupings, wars. It was like the old days again, precisely as described in the textbooks. In the second place, Ludovick could never forget that, when Corisande had sent him to the Blue Tower, she could not have been sure that her secret weapon would work. Love might _not_ have conquered all--in fact, it was the more likely hypothesis that it wouldn't--and he would have been killed by the first barrier. And no husband likes to think that his wife thinks he's expendable; it makes him feel she doesn't really love him. So, in thirtieth year of his reign as Dictator of Earth, Ludovick poisoned Corisande--that is, had her poisoned, for by now he had a Minister of Assassination to handle such little matters--and married a very pretty, very young, very affectionate blonde. He wasn't particularly happy with her, either, but at least it was a change. --EVELYN E. SMITH End of the Project Gutenberg EBook of The Blue Tower, by Evelyn E. Smith *** END OF THIS PROJECT GUTENBERG EBOOK THE BLUE TOWER *** ***** This file should be named 23104.txt or 23104.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/3/1/0/23104/ Produced by Greg Weeks and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United S
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