ivinity identified with Hebe, whose attributes,
however, were regarded by the Romans as applying more particularly to the
imperishable vigour and immortal glory of the state.
In Rome, several temples were erected in honour of this goddess. {157}
GANYMEDES.
Ganymedes, the youngest son of Tros, king of Troy, was one day drawing
water from a well on Mount Ida, when he was observed by Zeus, who, struck
with his wonderful beauty, sent his eagle to transport him to Olympus,
where he was endowed with immortality, and appointed cup-bearer to the
gods.
Ganymedes is represented as a youth of exquisite beauty, with short golden
locks, delicately chiselled features, beaming blue eyes, and pouting lips.
THE MUSES.
Of all the Olympic deities, none occupy a more distinguished position than
the Muses, the nine beautiful daughters of Zeus and Mnemosyne.
In their original signification, they presided merely over music, song, and
dance; but with the progress of civilization the arts and sciences claimed
their special presiding divinities, and we see these graceful creations, in
later times, sharing among them various functions, such as poetry,
astronomy, &c.
The Muses were honoured alike by mortals and immortals. In Olympus, where
Apollo acted as their leader, no banquet or festivity was considered
complete without their joy-inspiring presence, and on earth no social
gathering was celebrated without libations being poured out to them; nor
was any task involving intellectual effort ever undertaken, without
earnestly supplicating their assistance. They endowed their chosen
favourites with knowledge, wisdom, and understanding; they bestowed upon
the orator the gift of eloquence, inspired the poet with his noblest
thoughts, and the musician with his sweetest harmonies.
Like so many of the Greek divinities, however, the refined conception of
the Muses is somewhat marred by the acerbity with which they punished any
effort on the part {158} of mortals to rival them in their divine powers.
An instance of this is seen in the case of Thamyris, a Thracian bard, who
presumed to invite them to a trial of skill in music. Having vanquished
him, they not only afflicted him with blindness, but deprived him also of
the power of song.
Another example of the manner in which the gods punished presumption and
vanity is seen in the story of the daughters of King Pierus. Proud of the
perfection to which they had brought their skill in music,
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