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n, and there is no danger of a second restoration. I may remark, as a curious coincidence, that, as the name of Amasis is erased from the sphinx, so that of Hophries, his predecessor, is erased from the obelisk discovered in the same temple, and now in the Piazza della Minerva. In these two monuments of the Roman Iseum we possess a synopsis of Egyptian history between 595 and 526 B. C. [Illustration: Obelisk of Rameses the Great.] The second work, discovered June 17, was an obelisk which was wonderfully well preserved to the very top of the pinnacle, and covered with hieroglyphics. It was quarried at Assuan, from a richly colored vein of red granite, and was brought to Rome, probably under Domitian, together with the obelisk now in the Piazza del Pantheon. The two monoliths are almost identical in size and workmanship, and are inscribed with the same cartouches of Rameses the Great. The one which I discovered was set up, in 1887, to the memory of our brave soldiers who fell at the battle of Dogali. The site selected for the monument, the square between the railway station and the Baths of Diocletian, is too large for such a comparatively small shaft. Two days later, on the 19th, we discovered two _kynokephaloi_ or _kerkopithekoi_, five feet high, carved in black porphyry. The monsters are sitting on their hind legs, with the paws of the forearms resting on the knees. Their bases contain finely-cut hieroglyphics, with the cartouche of King Necthor-heb, of the thirtieth Sebennitic dynasty. One of these _kynokephaloi_, and also the obelisk, were certainly seen in 1719 by the masons who built the foundations of the Biblioteca Casanatense. For some reason unknown to us, they kept their discovery a secret. Many other works of art were discovered before the close of the excavations, in the last days of June. Among them were a crocodile in red granite, the pedestal of a candelabrum, triangular in shape, with sphinxes at the corners; a column of the temple, with reliefs representing an Isiac procession; and a portion of a capital. From an architectural point of view, the most curious discovery was that the temple itself, with its colonnades and double cella, had been brought over, piece by piece, from the banks of the Nile to those of the Tiber. It is not an imitation; it is a purely original Egyptian structure, shaded first by the palm-trees of Sais, and later by the pines of the Campus Martius. The earliest trustworth
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