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t had been named after Cambridge's most intellectual woman, by Ripley, who had a whimsical fashion of thus honouring his friends. According to Hawthorne, the name in this case was not inapt, for the cow was so recalcitrant and anti-social that it was finally sent to Coventry by the more docile kine, always to be counted on for moderate conservatism. This cow's would-be-tamer, not wishing to be unjust, refers to this heifer as having "a very intelligent face" and "a reflective cast of character." He certainly paid Margaret Fuller herself no such tribute, but thus early in his Brook Farm experience let appear his thinly veiled contempt for the high priestess of transcendentalism. Even earlier his antagonism toward this eminent woman was strong, if it was not frank, for he wrote: "I was invited to dine at Mr. Bancroft's yesterday with Miss Margaret Fuller, but Providence had given me some business to do for which I was very thankful." The unlovely side of Margaret Fuller must have made a very deep impression upon Hawthorne. Gentle as the great romancer undoubtedly was by birth and training, he has certainly been very harsh in writing, both in his note-book and in his story of Brook Farm, of the woman we recognise in Zenobia. One of the most interesting literary wars ever carried on in this vicinity, indeed, was that which was waged here some fifteen years ago concerning Julian Hawthorne's revelations of his father's private opinion of the Marchesa d'Ossoli. The remarks in question occurred in the great Hawthorne's "Roman Journal," and were certainly sufficiently scathing to call for such warm defence as Margaret's surviving friends hastened to offer. Hawthorne said among other things: "Margaret Fuller had a strong and coarse nature which she had done her utmost to refine, with infinite pains; but, of course, it could be only superficially changed.... Margaret has not left in the hearts and minds of those who knew her any deep witness of her integrity and purity. She was a great humbug--of course, with much talent and moral reality, or else she could never have been so great a humbug.... Toward the last there appears to have been a total collapse in poor Margaret, morally and intellectually; and tragic as her catastrophe was, Providence was, after all, kind in putting her and her clownish husband and their child on board that fated ship.... On the whole, I do not know but I like her the better, though, because she pro
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