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rodigious thighs, remains crouching stupidly in its place, or even approaches the enemy with deliberate steps.[2] It is said that young birds, paralysed with terror by the gaping mouth of a serpent, or fascinated by its gaze, will allow themselves to be snatched from the nest, incapable of movement. The cricket will often behave in almost the same way. Once within reach of the enchantress, the grappling-hooks are thrown, the fangs strike, the double saws close together and hold the victim in a vice. Vainly the captive struggles; his mandibles chew the air, his desperate kicks meet with no resistance. He has met with his fate. The Mantis refolds her wings, the standard of battle; she resumes her normal pose, and the meal commences. In attacking the Truxalis and the Ephippigera, less dangerous game than the grey cricket and the Decticus, the spectral pose is less imposing and of shorter duration. It is often enough to throw forward the talons; this is so in the case of the Epeirus, which is seized by the middle of the body, without a thought of its venomous claws. With the smaller crickets, which are the customary diet in my cages as at liberty, the Mantis rarely employs her means of intimidation; she merely seizes the heedless passer-by as she lies in wait. When the insect to be captured may present some serious resistance, the Mantis is thus equipped with a pose which terrifies or perplexes, fascinates or absorbs the prey, while it enables her talons to strike with greater certainty. Her gins close on a demoralised victim, incapable of or unready for defence. She freezes the quarry with fear or amazement by suddenly assuming the attitude of a spectre. The wings play an important part in this fantastic pose. They are very wide, green on the outer edge, but colourless and transparent elsewhere. Numerous nervures, spreading out fan-wise, cross them in the direction of their length. Others, transversal but finer, cut the first at right angles, forming with them a multitude of meshes. In the spectral attitude the wings are outspread and erected in two parallel planes which are almost in contact, like the wings of butterflies in repose. Between the two the end of the abdomen rapidly curls and uncurls. From the rubbing of the belly against the network of nervures proceeds the species of puffing sound which I have compared to the hissing of an adder in a posture of defence. To imitate this curious sound it is enough rap
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