FREE BOOKS

Author's List




PREV.   NEXT  
|<   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38  
39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   >>   >|  
ian braves as they leave in the direction of the river when the scene ends. DANCES. At the place indicated in the scene, the Indian maidens give one or more characteristic Indian dances. "The Blanket Dance," one of the most widely known and picturesque of the Indian dances, follows somewhat the lines of a Virginia Reel. The Indian maidens stand in a line facing each other, their blankets wrapped about them. The head couple, facing each other, spread wide their blankets behind them like great butterfly wings. Then they dance forward and back, forward and back, beckoning, retreating, gesturing, and finally dance off, with one blanket wrapped about two pairs of shoulders. Then the next couple, and so on. All sorts of fantastic steps, gestures, bendings, and swayings can be introduced. A wide space should be left between the dancers, so that all they do can be clearly seen. Dancing in great circles, like a mild war-dance, yet without the whoops and wild gestures of the latter, is another form that lends itself to the out-of-doors. Another dance is the Eagle Dance; with arms spread wide, holding their blankets at wing-like angles, the dancers circle about each other, the dance growing wilder and wilder. Still another dance is the symbolical one of the Four Winds--North, South, East, West--done by four Indian maidens. The South Wind gentle and swaying; the West Wind fantastic, with arms upraised; the East Wind with streaming hair and rain-drops shining on finger tips; the North Wind wilder than them all, and finally driving them all before her. MUSIC. Piano: MacDowell's "An Indian Idyl," "From an Indian Lodge." These can be had orchestrated. For a band: "Tomahawk Dance," by Andrew Herman. "Indian War Dance," by Bellstedt. "The Sun Dance," by Leo Friedman. PILGRIM INTERLUDE PILGRIM CHANT (Tune: Oxford. To be sung off stage by the Puritan maidens before they enter to take part in the episode.) Gone is now the sullen winter, Gone the famine and the snow; In the forest, like a promise, See the first white mayflowers blow. Fresh hope thrills us with their coming, They, too, braved the winter long; Then at Springtime took new leafage, Frail yet steadfast, small but strong. Cling we thus to our new country, Let us struggle and endure; We have found a land of Freedom, And our heritage is sure. THE SPINNING LESSON (A Pilgrim Interlude) CHARACTERS PRISCILLA MULLINS Lads of Plymouth T
PREV.   NEXT  
|<   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38  
39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   >>   >|  



Top keywords:

Indian

 

maidens

 

blankets

 

wilder

 
finally
 

PILGRIM

 

forward

 

winter

 

dancers

 

fantastic


gestures

 

facing

 

dances

 
wrapped
 
spread
 
couple
 

INTERLUDE

 

Bellstedt

 

Pilgrim

 

Friedman


LESSON

 

Oxford

 

Puritan

 
SPINNING
 

MULLINS

 

MacDowell

 
orchestrated
 
Herman
 

heritage

 
PRISCILLA

CHARACTERS
 

Andrew

 
Tomahawk
 

Plymouth

 
Interlude
 

coming

 

country

 
thrills
 

braved

 

leafage


steadfast

 
strong
 

Springtime

 

struggle

 
famine
 

sullen

 

Freedom

 

episode

 
forest
 

promise