FREE BOOKS

Author's List




PREV.   NEXT  
|<   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153  
154   155   156   157   158   159   160   >>  
ave no intelligible, self-verifying procedure. Anthems are inserted here and there without any sense of the progression or of the psychology of worship. Glorias are sung sometimes with the congregation standing up and sometimes while they are sitting down. There is no lectionary to determine a comprehensive and orderly reading of Scripture, not much sequence of thought or progress of devotion either in the read or the extempore prayers. There is no uniformity of posture. There are two historic attitudes of reverence when men are addressing the Almighty. They are the standing upon one's feet or the falling upon one's knees. For the most part we neither stand nor kneel; we usually loll. Some of us compromise by bending forward to the limiting of our breath and the discomfort of our digestion. It is too little inducive to physical ease or perhaps too derogatory to our dignity to kneel before the Lord our Maker. All this seems too much like the efforts of those who have forgotten what worship really is and are trying to find for it some comfortable or attractive substitute. Second: we show our inexperience by betraying the confusion of aesthetic and ethical values as we strive for variety and entertainment in church services; we build them around wonder and admiration, not around reverence and awe. But we are mistaken if we suppose that men chiefly desire to be pleasantly entertained or extraordinarily delighted when they go into a church. They go there because they desire to enter a Holy Presence; they want to approach One before whom they can be still and know that He is God. All "enrichments" of a service injected into it here and there, designed to make it more attractive, to add color and variety, to arrest the attention of the senses are, as ends, beside the point, and our dependence upon them indicates the unhappy state of worship in our day. That we do thus make our professional music an end in itself is evident from our blatant way of advertising it. In the same way we advertise sermon themes, usually intended to startle the pious and provoke the ungodly. We want to arouse curiosity, social or political interest, to achieve some secular reaction. We don't advertise that tomorrow in our church there is to be a public worship of God, and that everything that we are going to do will be in the awe-struck sense that He is there. We are afraid that nobody would come if we merely did that! What infidels we are! Why a
PREV.   NEXT  
|<   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153  
154   155   156   157   158   159   160   >>  



Top keywords:

worship

 

church

 

reverence

 

desire

 

variety

 

attractive

 

advertise

 

standing

 

approach

 
Presence

enrichments

 
service
 
injected
 

tomorrow

 
public
 

afraid

 

suppose

 

mistaken

 
infidels
 

chiefly


extraordinarily

 

delighted

 

designed

 
entertained
 
pleasantly
 

struck

 

blatant

 

political

 

social

 

evident


curiosity

 
arouse
 

startle

 

sermon

 

themes

 

provoke

 

advertising

 

ungodly

 
professional
 

attention


senses
 
reaction
 

arrest

 

intended

 

dependence

 

achieve

 

interest

 
unhappy
 

secular

 
confusion